Miami Art Basel 2015 – Must See Exhibitions, Best Parties and Events – Updated Dec. 2, 2015

Changes abound for the upcoming Miami Art Basel week 2015. The NADA Art Fair has a new home – the spectacular billion dollar upgraded historic Fontainbleau Hotel. In all previous locations the fair was free to enter – no more; it now $20 a head. The Rubell Family Collection stays in the forefront of the pulse of the artworld with an all woman artists exhibition that will rotate works over the duration of the show. The Marguiles Warehouse will feature a massive four custom built room exhibition of the work of Anselm Kiefer, whose retrospective I saw at the Royal Academy in London in the fall of 2014. The ICA Miami will be getting its new building in 2017 – meanwhile it will have a show of the NYC video artist Alex Bag. The de la Cruz Collection is doing a survey show loaded with art stars working in abstraction. With NADA, Scope, Pulse all having returned to Miami Beach, the major art fair action on the Miami side is now Art Miami and its Context Art Fair. Miami Projects has also moved to Miami Beach into the Deauville Hotel, which NADA just left after last year. Also up will be three stellar shows at Mana Contemporary – including the Frederick Weisman art foundation in Los Angeles, a selection of the Jorge Perez collection, and a selection of Latin America art. There will also be work from artists working in Bushwick. The other major offering will be the exhibition of representational and realist art curated by Jeffrey Deitch and Larry Gagosian that will be in the Moore Building in Miami’s white-hot Design District, and the Nari Ward retrospective at the Perez Art Museum, now under the direction of Franklin Sirmans. Isaac Julien’s 15 screen video project commission for Rolls Royce makes its North American debut at Young Arts in Wynnwood.
Miami has a couple of new gallery districts – Little River and Little Haiti, that offer warehouse sized exhibition spaces.
Up the road we can look forward to the opening of the Faena Arts Center in Miami Beach, the new ICA Miami building, and the Museum of Latin American art by Miami gallerist Gary Nader.
Vincent Johnson is an artist and writer in Los Angeles. he recently interviewed William Pope L. at MoCA in Los Angeles for the November 2015, 15th Anniversary issue of FROG magazine.
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Art Basel 2015 Sketch Book: 8 Artists to Watch

Mega Guide To Art Basel Miami Beach 2015: Tuesday

Gary Pini

Yves Behar is the recipient of the 2015 Design Miami “Design Visionary Award” and he’ll be honored with a special exhibit in the D/M venue behind the convention center through December 6. The VIP preview is today, December 1st. A student team from Harvard was chosen to design the fair’s entrance for their submission, “UNBUILT,” a collection of foam models of unrealized design projects. Expect thirty five exhibitors inside including Firma Casa from Brazil, showing new works by the Campana Brothers, and Italian gallery Secondome, with hand-crafted limited editions.

The Miami Project is also launching a new spin-off this year called SATELLITE that will show various “experimental” projects in unoccupied properties up near their 73rd Street base. One of those, “Artist-Run,” will fill the rooms in the Ocean Terrace Hotel (7410 Ocean Terrace, Miami Beach) with different installations from 40 artist-run spaces, curated by Tiger Strikes Asteroid. It’s open from December 2nd to 6th, with a VIP/media event today, December 1st, from noon to 10 p.m. ALSO: Trans-Pecos, the music venue out in Queens, New York, and Sam Hillmer from the band Zs, are putting together a 5-day music program in the North Beach Amphitheater, emphasizing “musical practitioners with some form of art practice.”

X Contemporary launches their inaugural fair in Wynwood running from December 2nd through Sunday, and a VIP opening on December 1st from 5 to 10 p.m. Twenty eight exhibitiors will be on hand, plus special projects including “Grace Hartigan: 1960 – 1965” presented by Michael Klein Arts; a look at the “genesis of street art” curated by Pamela Willoughby; and “Colombia N.O.W.” presented by TIMEBAG.

Target Too InstallationPULSE Miami Beach returns to Indian Beach Park (4601 Collins Avenue, Miami Beach) starting with a big “Opening Celebration” at 4 p.m. today, December 1st, featuring a panel discussion put together by Hyperallergic; an interactive piece by Kate Durbin called “Hello, Selfie!” and a live performance by Kalup Linzy. On December 5th, PULSE celebrates the City of Miami via a talk at 5 p.m. on “Future Visions of Miami” and a “Sunset Celebration” from 5 to 7 p.m. Fair visitors can check out “TARGET TOO,” an installation referencing items sold at the stores, originally on view in NYC last March. There’s a complimentary shuttle from the convention center, and the fair is open daily from 10 a.m. to 7 p.m. through Saturday.

Wynwood Walls (2520 NW 2nd Avenue, Miami) has a lot planned this year including “Walls of Change” with 14 new murals and installations and the debut of a new adjacent space called “The Wynwood Walls Garden.” The walls are by Case, Crash, Cryptik, el Seed, Erenest Zacharevic, Fafi, Hueman, INTI, The London Police, Logan Hicks and Ryan McGinness. Over in the “garden,” the Spanish art duo Pichi & Avo are doing a mural on stacked shipping containers and in the events space, Magnus Sodamin will be painting the floors and walls. The VIP opening is on December 1st in the early evening, but then it’s open to the public from 11 p.m. to 2 a.m. Goldman Properties’ CEO Jessica Goldman Srebnick talks about how art transformed the Wynwood neighborhood in THIS Miami New Times piece. We also hear that New York developer (and owner of Moishe’s Moving, Mana Contemporary etc.) Moishe Mana is planning a new mixed-use development on his 30 acres of land in the middle of Wynwood.

Jeffrey Deitch and Larry Gagosian are co-presenting an exhibition of figurative painting and sculpture called “UnRealism” at 191 NE 40th Street, Miami. The opening is on Tuesday, December 1st, but it will be on view all week. According to the NYT, artists featured in the group show will include Urs Fischer, Elizabeth Peyton, John Currin and David Salle. In conjunction with the exhibition, the artist Rashaad Newsome will lead an “art parade” starting at 6:30 p.m. today at 23 NE 41st Street, Miami and ending at 4001 NE 41st Street.

CONTEXT Art Miami will feature 95 international galleries this year, along with several artist projects and installations including 12 listening stations dedicated to sound art; areas dedicated to art from Berlin and Korea; solo exhibitions by Jung San, Satoru Tamura, Mr. Herget and four others; and a “fast-track” portrait project of workers at Miami International Airport. Context and Art Miami — celebrating its 26th year — open with a VIP preview benefiting the Perez Art Museum Miami on Tuesday, December 1, 5:30 to 10 p.m., at 2901 NE 1st Avenue in Midtown, Miami. The fair is open to the public from December 2nd through the 6th.

ICA Miami (4040 NE 2nd Avenue, Miami) opens a major survey of works by the video and performance artist Alex Bag — including her interactive installation “The Van” — on December 1st. The museum recently announced the appointment of Ellen Salpeter, Deputy Director of NYC’s Jewish Museum, as its new director and they’ve just broken ground on a new, permanent home in the Design District. The 37,500 -square-foot building was designed by the Spanish firm Aranguren & Gallegos Arquitectos and is scheduled to open in 2017. Shannon Ebner also has a show, “A Public Character,” on view in the museum during AB/MB and up until January 16, 2016. This is the inaugural program in the museum’s new performance series.

The fourth edition of UNTITLED Miami is on the beach at Ocean Drive and 12th Street from December 2 to 6, with a big VIP preview on December 1st from 4 to 8 p.m. They’ve got 119 international galleries along with non-profit orgs from 20 countries. New this year will be an UNTITLED radio station broadcasting via local Wynwood Radio with interviews, performances and playlists by artists, curators etc.

PAPER Magazine is hosting (and participating in) several events during AB/MB. On Tuesday, December 1st, 6 p.m., David Hershkovits will be “in conversation” with Fab 5 Freddy and David Koh on the topic, “Art On Film,” followed by a special screening of Koh’s film “Peggy Guggenheim: Art Addict.” The Tribeca Film Festival Shortlist is presenting the event at The Miami Edition (2901 Collins Avenue, Miami Beach) and SOTO sake sponsors. On Tuesday night (late) and also at the EDITION, PAPER, Silencio, A Hotel Life and One Management host the one year anniversary of the hotel’s BASEMENT nightclub with DJs Seth Troxler, Nicolas Matar and Orazio Rispo.

The Wolfsonsonian FIU Museum (1001 Washington Avenue, South Beach) is open all week with several exhibitions including “An Artist on the Eastern Front: Feliks Topolski 1941,” “Margin of Error,” “Orange Oratory,” “Philodendrum” and “Miami Beach.”

Moishe Mana’s Mana Contemporary (318 NW 23rd Street, Miami) in Wynwood plans several exhibitions during AB/MB including “Made in California,” featuring selections from L.A. collector Frederick R. Weisman’s Art Foundation; “A Sense of Place,” with over 60 works from the collection of Jorge M. Perez; and “Everything You Are Not,” key works of Latin American art from the Tiroche DeLeon collection. All are up from December 3rd thru the 6th, with a VIP preview on December 1st. Mana Urban Arts is also doing a collab with The Bushwick Collective at the former RC Cola Plant (550 NW 24th Street, Miami) that includes over 50 artists — so far the list includes Ghost, GIZ, Pixel Pancho, Case Maclaim and Shok-1 — plus skateboarding, DJs, live music etc.

Bortolami Gallery is opening a year-long exhibition called “Miami” by the French conceptual artist Daniel Buren on December 1st in the M Building (194 NW 30th Street, Miami). The show marks the 50th anniversary of his works with fabric and the 8.7 cm stripe. By periodically installing new works, Buren will also alter the exhibition during the year.

Previewing their upcoming South Beach studio, SoulCycle will pop-up poolside at the 1 Hotel (2341 Collins Avenue, South Beach) starting on Tuesday, December 1st. They plan to open permanently in the hotel in January 2016. The 1 Hotel also offers a fitness and wellness line-up for guests and visitors all week.

Miami gallery Locust Projects (3852 N. Miami Avenue, Miami) returns with their “Art on the Move” series of artists’ projects in public spaces around Miami during December. This year’s work, “NITE LIFE,” by LA-based artist Martine Syms, includes a series of prints displayed on the backs of buses and at bus stops, based on “Chitlin’ Circuit” concert posters by Clyde Killens. There’s a reception for the project, curated by PAMM’s director Franklin Sirmans, on December 1st, 7 to 10 p.m. Also check out the gallery’s site-specific installation “PORE” by Martha Friedman and “Beatriz Monteavaro: Nochebuena” in the project room.

Brickell City Centre (750 South Miami Avenue, Miami) is giving a sneak peek at their work-in-progress development in downtown Miami with an invite-only event, “Illuminate the Night,” on December 1st featuring the unveiling of “Dancers,” a sculpture by UK artist Allen Jones; () music from Wooden Wisdom DJs (Elijah Wood and Zach Cowie) and a 150,000 square-foot glass, steel and fabric structure called “Climate Ribbon” by Hugh Dutton.

The Bass Museum (2100 Collins Avenue, South Beach) is closed for renovations until next year, but they’re still hosting “outdoor activations” in the surrounding park including the AB/MB PUBLIC sector and the display of a neon sign, “Eternity Now,” by Swiss artist Sylvie Fleury. They are co-hosting a private dinner with Salon 94 Gallery on Tuesday in the Miami Beach EDITION Hotel.

Zurich’s Galerie Gmurzynska hosts an invite-only cocktail party at The Villa Casa Casuarina (1116 Ocean Drive, Miami Beach) on December 1, with Sylvester Stallone and Germano Celant. The gallery will be showing a retrospective of works by Karl Lagerfield in their stand at AB/MB, curated by Celant.

The DREAM South Beach (1111 Collins Avenue, South Beach) hooked-up with Brooklyn-based artist — and new GQ “style guy” — Mark Anthony Green for an exhibition of, according to Green, “what 2015 meant to me in both a macro and micro sense…wins, losses, heartbreak and promotion.” The hotel will have a pop-up shop curated by the artist, and guests will get a complimentary print. There’s a welcome reception on Tuesday, a private dinner and afterparty with the Green and A$AP Rocky on Friday and a pool party hosted by YESJULZ on Sunday afternoon.

FLAUNT Magazine and Guess host a private dinner at the Nautilus Hotel in December 1 in honor of their latest cover stars Zaha Hadid, Rem Koolhaas and Julie Mehretu. After dinner, there’s a poolside party with a screening of “ME” and music by the Martinez Brothers and Pusha T. Expected guests include “ME” writers Susan Taylor & Jefrey Levy and Gina Gershon.

The 2015 edition of Elle Decor’s Modern Life Concept House premieres with a VIP breakfast on December 1st at 250 Wynwood (250 NW 24th Street, Miami). Visits from December 2 to 4 are open to the public with a $35 donation to pediatric cancer research and a reservation via jacquelyn@zm-pr.com. The 6,000 square-foot home will showcase 4 leading designers selected by ED editor-in-chief Michael Boodro.

An exhibition called “LAX – MIA: Light + Space” opens on Tuesday, December 1st, 5 to 8 p.m., at the Surf Club (9011 Collins Avenue, Miami Beach). The show was curated by Terry Riley, Joachim Pissaro and John Keenan of PARALLEL and is hosted by The Surf Club and Fort Partners. It’s on view until December 12th, 11 a.m. to 5 p.m. daily, closed on Sunday.

Art Basel Basecamp (46 NW 36th Street, Miami), hosted by HGABmag, returns with a space to “re-group, re-fresh and re-energize” featuring charging stations, information booths, giveaways and art installations. Stop in from December 1 to 6, 4 p.m. to midnight daily; and don’t miss their “Alice in Wynwood” closing party on Saturday night.

The first edition of the Curatorial Program for Research Film Festival takes place on December 1, 11 a.m. to 2 p.m. at Cannonball (1035 North Miami Avenue, Suite 300, Miami). The program, “Earthbound,” was curated by Niekolaas Johannes Lekkerkerk in collaboration with Dwelling Projects. There will also be a silent auction.

New York-based developer Robbie Antonio debuts his REVOLUTION collection of pre-crafted structures during Design Miami/2015. The limited edition homes and pavilions have been designed by 30 noted architects and designers including Zaha Hadid, Richard Gluckman and the Campana Brothers. The VIP launch is in the Design Miami tent on Tuesday evening.

NYC club No.8 pops-up in the Rec Room at the Gale Hotel (1690 Collins Avenue, South Beach) with DJs including JusSke, Fly Guy and Ross One; the hotel’s Regent Cocktail Club features live jazz, Cuban cocktails, Samba and soul tunes. They’ve also got a digital art installation by Aerosyn Lex.

White Cube’s kick-off party is tonight at Soho Beach House with Giogio Moroder spinning and lots of Moet.

NYC/LA art collective Collapsing Scenery presents “Metaphysical Cops,” a one-night-only video installation on December 1st, 5 to 10 p.m., in the Surf Med Pharmacy (7430 Collins Avenue, Miami Beach). It’s a part of the new Satellite Art Fair.

Chloe Sevigny by Pamela Hanson“ICONS,” an exhibition of photos by Pamela Hanson opens at the Shore Club.

BOHO Hunter (184 NW 27th Street, Miami) hosts Monica Sordo’s SS 2016 collection with music from Bea Pernia on December 1st, 7 to 10 p.m.

Miami’s Diana Lowenstein Gallery (2043 N Miami Avenue, Miami) is showing new works by Udo Noger in a show called “Geistlos.” On view all week.

Alejandra Von Hartz Gallery (2630 NW 2nd Avenue, Miami) has their second solo show by Marta Chilindron, “Temporal Systems,” on view during AB/MB. The multi-dimensional sculptures “explore basic geometric forms, color, transparency, light, space, time and perspective.”

When you pass through Art Miami, look for copies of Jerry Powers’ new Art Miami Magazine, that fair’s first dedicated publication,

STK Miami (2311 Collins Avenue, South Beach) hosts The Drip Factory pop-up gallery featuring artist Louis Carreon doing live painting and music by DJ What on December 1st, 8 to 11 p.m. Invite only.

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Blog

Must-See New Media at Miami Art Week

Yesterday Kate Durbin’s ‘Hello!Selfie’ performance at PULSE Miami Beach, Photo: Rollin Leonard, 2015

This time of the year, the whole art scene gathers in Miami to—let’s be honest—enjoy the beach, often more than the overwhelming art-filled fairs. Many of our longtime favorite creators converge at this year’s festivities, so to support their efforts, we’ve compiled a coup d’oeil of some quality digital art happenings.

Swapping its successful one-shot hypersalon satellite project for a PULSE Miami Beach booth, TRANSFER gallery offers a more streamlined way to reach a wider audience. “The collaborative experiment that was hypersalon set in motion so many amazing exhibitions and exchanges that unfolded in the past year. But in the end, we managed to create a mostly non-commercial format amidst the biggest feeding frenzy of the commercial art world—not a sustainable project in the ABMB environment,” Kelani Nichole, founder and director of TRANSFER tells The Creators Project.

Transfer gallery’s booth under the massive PULSE Miami Beach tent, 2015

“This year, I went for the exact opposite, securing a white cube in a tent on the beach. TRANSFER is quite fortunate to have the support of PULSE to open their fair to a challenging format of social-media based performance, and their Conversations curated section gave us the perfect opportunity to present two artists working with issues of technology and the body,” Nichole adds. TRANSFER showcases recent works by Faith Holland and Kate Durbin with support from Giovanna Olmos. Both artists will be taking part in panels and screenings.

Faith Holland ‘Sub/emissions’ 2015 40″ x 40″ Digital Painting on Canvas, Edition of 3 + 1AP, Transfer gallery, 2015

Kate Durbin’s Hello!Selfie performance yesterday at PULSE Miami Beach, Photo: Rollin Leonard, 2015

Holland brings her orgasm-inspired and cumshot-generated bodies of works—including her figurative and dynamic Visual Orgasms GIF series and juicy abstract Ookie Canvas paintings, comprising a never-seen-before composition called Peter North. Kate Durbin will present video pieces created from footage of previous iterations of Hello!Selfie, a social media-rooted performance that explores and questions selfie culture in public spaces.

DiMoDa VR installation at Satellite Projects fair, 2015

Alfredo Salazar-Caro and William James Richard Robertson offer Satellite Projects, giving fairgoers the chance to experience DiMoDA, an Oculus Rift-powered VR installation. Filled with delightful digital works by artists Claudia Hart, Tim BerresheimJacolby Satterwhite, as well as Aquanet 2001 by Salvador Loza and Gibran Morgado, the nonlinear virtual exhibition opens new perspectives in terms of curation and museum experiences.

On the other side of the bay, Wynwood-located X-contemporary provides viewers with a bunch of activities ranging from panel discussions, art, and DJ performances, to one-of-a-kind projects in addition to the many artworks showcased by the 30 or so worldwide exhibitors.

Dye sublimation on aluminum, Sara Ludy, Fin (Heat sander), 2015, bitforms gallery

Taking over the beach with its huge tent designed by architects John Keenen and Terence Riley of K/R, the new edition of UNTITLED features many international exhibitors—including the NYC-based bitforms gallery—who explore contemporary curatorial cohesion through today’s wide-ranging art practices.

“bitforms gallery has been a part of the contemporary art world for 14 years,” Steven Sacks, director and owner of bitforms gallery tells us.“We have a very specific focus on new media artists covering a wide range of generations and media types.” His booth brings an impressive roster of artworks by artists such as Manfred Mohr, Daniel Canogar, Jonathan Monaghan, Rafael Lozano-Hemmer, Sara Ludy, and Quayola, artists who all strongly contribute to the solidification of new media art within the ruthless contemporary art landscape.

Inkjet print mounted on Dibond, Jonathan Monaghan, Dorilton, 2015, bitforms gallery

“The art fairs are an amazing place to reach thousands of art-centric people and introduce and educate them about our unique program, which typically does stand out amongst more traditional galleries. UNTITLED art fair is a smaller, curated fair with more experimental artists, compared to the larger Art Basel fair, which has a lot more traditional art,” Sacks concludes.

Computer, Kinect, display, Rafael Lozano-Hemmer, 1984×1984, bitforms gallery, 2014

bitforms gallery’s booth at UNTITLED, 2015

Most of the fairs will run through the December 6, 2015.

Click here for more details about PULSE, and here for more on UNTITLED. Click here to check out TRANSFER booth, and here to check out the bitforms booth.

Related:

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The Definitive Guide to Art Basel Miami 2015, Part One

By  | December 1, 2015

So you’ve made it to MIA for Art Basel 2015, but have you secured a coveted spot on the event’s hautest guest lists? Fear not—we’ve got intel on all the can’t-miss pop-ups, star-studded bashes, and gallery celebrations of the week. Check back for part deux, tomorrow. We hope you remembered to pack your VIP card with your sunnies…

Tuesday, December 1

PAPER Magazine & The Miami Beach Edition Bash
Intel: Celebrate PAPER magazine’s December cover girl Paris Hilton at an intimate, seated dinner.
Location: 2901 Collins Ave., 9:30 p.m. RSVP to johnv@papermag.com

Bello Magazine Kicks Off Art Basel
Intel: The fashion and entertainment mag, with BRAVOTV philanthropist and art gallerist Adriana De Mourainvites Art Basel, invites visitors to join stars from Pretty Little Liars and America’s Next Top Model) for a celebration.
Location: Suitsupply Penthouse, 1000 17th Street., Miami Beach, FL 33139, 6:30 p.m.

W Magazine and Roberto Cavalli Party
Intel: W mag and Roberto Cavalli celebrate the opening of No Man’s Land: Women Artists From the Rubell Family collection.
Location: Rubell Family Collection, 95 NW 29th Street, 7:30-9:30 p.m.

Locust Projects Celebrates “Martha Friedman: Pore”
Intel: The nonprofit space Locust Projects is hosting a cocktail reception celebrating Martha Friedman’s new site-specific installation Pore, which includes four sculptures made from 1,000 pounds of rubber (they’re attached to costumes that will be activated during an experimental performance by dancer Silas Reiner).
Logistics: 3852 North Miami Avenue, 7-10 p.m.

MANA Contemporary VIP Dinner
Intel: MANA Contemporary is hosting an exclusive dinner (Zaha Hadid, Dasha Zhukova, Salman Rushdie, etc.) to preview its new exhibitions. Also on tap is a performance by the Miami Symphony Orchestra.
Location: Mana Wynwood Convention Center, 6-8 p.m. Invitate only.

Galerie Gmurzynska Dinner
Intel: Galerie Gmurzynska hosts a cocktail dinner with Germano Celant and Sylvester Stallone.
Location: 1116 Ocean Drive, 8:30 p.m. Invite only.

Faena Hotel Unveiling Party
Intel: This exclusive unveiling of the hotel owned by art collector, developer, and hotelier Alan Faena promises a start-studded crowd.
Location: Faena Hotel, 10:30 p.m. Invite only.

SLS South Beach Gallery and Pop-Ups
Intel: The building transforms into a mixed-media gallery for hotel guests, collectors, and tastemakers showcasing artists and collaborations. The series of installations will vary from public art displays to pop-up retail shops. Par example: Laura Kimpton Property-Wide Installations, Africa Aycart Portraits at The Bazaar by José Andrés, Never-Before-Seen Andy Warhol Pieces at Sam’s Lounge, J. Open HeART Installation at Katsuya & Hotel Pool Duck, Poolside Retail Pop-Up Shops.
Location: 1701 Collins Ave.

Brickell City Centre Bash
Intel: Brickell City Centre is transforming one block of its three-block construction site into an event space. Wooden Wisdom (Elijah Wood + Zach Cowie) will set the vibe. VIPs and local influencers will join Brickell for a lighting ceremony of its newly completed Climate Ribbon (150,000-square-foot glass, steel and fabric by designer Hugh Dutton).
Location: Brickell City Centre, 67 SW 8th St., 7 p.m. RSVP to Brickellcitycentre@taraink.com

Boho Hunter Basel Kick Off
Intel: Monica Sordo invites those in MIA to visit Boho Hunter for cocktails, music by Bea Pernia, and a selection of her collection with sales to benefit The Duerme Tranquilo Foundation.
Location: Boho Hunter, 184 NW 27th St., 7-10 p.m.

Tribeca Shortlist “Art on Film”
Intel: The movie streaming service from Lionsgate and Tribeca Enterprises hosts “Art on Film” with hip hop pioneer, visual artist and filmmaker Fab 5 Freddy (Fred Brathwaite), independent producer David Koh (Submarine Entertainment) and moderated by PAPER Magazine founder/editor David Hershkovits. Following will be a special screening of the film Peggy Guggenheim: Art Addict.
Location: The Miami Beach EDITION, 2901 Collins Ave., 6 p.m. RSVP to rsvp@tribecashortlist.com

SoulCycle Pop-Up
Intel: Get your fitness fix at the SoulCycle pop-up studio, which features live art by Brooklyn-born, L.A.-based Gregory Siff.
Location: 1 Hotel South Beach (2341 Collins Ave., Miami Beach), December 1-4

Architectural Digest “Refuge” Preview Party
Intel: Margaret Russell, editor in chief of Architectural Digest, is throwing a preview party with 1 Hotel’s founder Barry Sternlicht and CEO of the LeFrak Group Richard LeFrak.
Location: 1 Hotel South Beach, 6-9 p.m. Invite only.

The Surf Lodge x Art Basel Miami Beach
Intel: Hamptonites, find solace in Miami this week—The Surf Lodge pop-up offers artist-hosted dinners, poolside cocktail parties, pop-up shop, and wellness classes from Equinox Wednesday through Friday at 10 a.m. Expected guests include Jeremy Scott, Rocky Barnes, Rosario Dawson, Daniel Arsham, André Saraiva, Shepard Fairey, and Jayma Cardoso. Pop into the Surf Lodge Pop-Up Shop to peruse brands including Studio 189 from Rosario Dawson and Abrima Erwiah, Reds, and Del Toro shoes, each day from 10 a.m. – 9 p.m.
Location: The Hall South Beach (A Joie de Vivre Hotel), December 1-6, 8-10 p.m. Invitation only.

 

Wednesday, December 2

Jeremy Scott Party
Intel: Jeremy Scott hosts his annual exclusive bash.
Location:
Invite only.

W Magazine and Faena Art’s Roller Disco Beach Party
Intel: Stefano Tonchi and Ximena Caminos celebrate the opening ofAngeles Veloces Arcanos Fugaces, an immersive roller-disco installation by Assume Vivid Astro Focus at Faena Beach.
Location: Faena Beach, 36th Street and the Ocean, 7:30-9:30 p.m.

VH1’s The Breaks Lounge
Intel: Join for a private press preview and a VIP performance by Mack Wilds.
Location: The Breaks Lounge, 801 Ocean Drive at 8th Street. Press preview 4-8 p.m., performance 8-9 p.m.

Burberry + Art Hearts Fashion Miami Art Basel Week at Spectrum Opening Night Gala Presented by Planet Fashion TV
Intel: Join for a VIP cocktail reception before a Burberry fashion show, an artistic runway presentation by Art Hearts Fashion featuring designers Amato Haute Couture, House of LiJon Sculpted Couture and Mister Triple X by Erik Rosete. Stick around for a performance by Island Def Jam recording artist Cris Cab.
Location: Spectrum Miami, 1700 NE 2nd Avenue (NE 2nd Ave. at NE 17th St.), 6-9 p.m.

Kim Hastreiter and PAPER Magazine Party
Intel: Grab a drink and crash some cymbals with Kim Hastreiter, Pink Martini’s Thomas Lauderdale and China Forbes, and PAPER’s Mr. Mickey at a singalon featuring accompanying percussion and singing by art and design luminaries.
Location: Meridian Ave. and 19th St., 5-7 p.m. RSVP to mijin.son@civic-us.com

 

Thursday, December 3

PAMM Presents: Dimensions, by Devonté Hynes and Ryan McNamara
Intel: Flock to Pérez Art Museum Miami (PAMM) for a one night only performance by Ryan McNamara and Devonté (“Dev”) Hynes, including an original multi-part composition by Hynes, an internationally-acclaimed musician and producer, and sculptural elements and choreography by McNamara, a celebrated performance artist
Location: 1103 Biscayne Boulevard, 9 p.m. to midnight

Brown Jordan and Sunbrella
Intel: The two join photographer Gray Malin for a celebration of art, design and travel, for a first look at the new Miami Design District flagship, an 8,600 square-foot, three-level store of re-imagined native Florida materials, which officially opens January 2016. The event will serve as a “first look” and the store will officially open in January 2016.
Location: 3650 North Miami Avenue

El Tucán
Intel: EL Tucán hosts an exclusive performance by actress and singer Cucu Diamantes, amid trompe l’oeuil murals designed by artist Happy Menocal.
Location: December 3-5, 8 p.m.

The Four Seasons Hosts Antonio Dominguez de Haro
Intel: A retrospective of 17 paintings by Spanish painter Antonio Dominguez de Haro.
Logistics: Four Seasons Hotel, December 3, 6-9 p.m. rsvp@dkcnews.com

EDITION Gallery Pop Up
Intel: EDITION Hotel hosts a pop-up with Bill Powers’ Half Gallery & Harper’s Books and Louis B James Gallery, including book signings by Justin Adian and Sue Williams. On the second floor, virtual artist Jeremy Couillard offers an otherworldly experience with an interactive exhibition.
Location: Bungalow 252, Miami Beach EDITION, 2901 Collins Ave. December 3-6. By appointment only.

 

Friday, December 4

Wall at the W Hotel: Paris Hilton
Intel:Paris Hilton spins alongside Mr. Mauricio for an evening presented by Belvedere Vodka.
Location: 2201 Collins Ave, 11 p.m. RSVP to Heidi@Taraink.com.

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Partner \
A Guide to Art Basel: The Must-see Shows and Showcases
Now in its 14th year, Art Basel is bigger and swankier than ever before
Presented By //
T.M. Brown // December 1, 2015

Every year around this time, thousands of dealers, buyers, artists, and scenesters descend on South Florida for Art Basel Miami. Now in its 14th year, the stateside spinoff of the Swiss art fair—and let’s be honest, calling Art Basel an art fair is like calling the Pope a priest—is bigger and swankier than ever before, attracting galleries from all over the globe and providing one of the world’s biggest stages for upcoming artists.

Before we get to all the shows you should be heading to while you’re in Miami, we here at SPIN want to hook you up with an exclusive invitation to K-PAX, a launch event to showcase the collaboration between PAX + K-HOLE, on the rooftop of the Gale South Beach this Friday, December 4th at 5:00 PM, brought to you by the folks at PAX vaporizers.

III Points Art Basel Concert Series (Thursday, December 3 — Saturday, December 5 at Mana Wynwood)
ADVERTISING

If SXSW moved to Berlin for a year, started wearing a lot of Acne and Gosha Rubchinskiy, and got really into DJ Rashad and Rødhåd, you’d have III Points. The three-year old art, tech, and music festival is quickly becoming a compulsory event for people who have traditionally flocked to Austin in March, so when they decide to throw a three-night concert series in the middle of Art Basel, you know it’s going to be good.

Life and Death Showcase with Richie Hawtin (Thursday, December 3 at 9:00 PM)

III Points Art Basel’s opening night brings iconic label Life and Death to Miami for the fourth time in as many years and the Italian powerhouse did not disappoint with its lineup. The showcase at Mana Wynwood brings Tale of Us, Mind Against, and Thugfucker to the DJ booth, providing a collection of artists that weave the worlds of pop, house, funk, and disco into a singular soundtrack. Oh, and techno legend Richie Hawtin just announced he’ll be joining the Life and Death crew as a special guest so those tickets are going to be hard to come by.

Jamie XX and Four Tet (Friday, December 4 at 9:00 PM)

Jamie xx and Four Tet combine forces once again to provide the centerpiece of III Points concert series. If you haven’t heard what these boys can do when they’re in the booth together, listen to their exceptional BBC One Essential Mix from March and prepare to be blown away by the effortless combination of everything from jungle to electro pop to soul into one smooth set. Both are finishing years filled with international acclaim so this set will be something of a victory lap and we’re all the richer for it.

A$AP Rocky and Kaytranada (Saturday, December 5 at 9:00 PM)

A$AP Rocky and Kaytranada close out the III Points concert series but this Saturday night set is anything but a come down. Rocky is fresh off a huge year including his sophomore release At. Long. Long. Last. ASAP and rumors that he’s working on a project with Kanye West, while Kaytranada has been pounding the DJ circuit, plying his funky house trade at every club worth its salt the world over. Both should be in rare form at Mana Wynwood.

Fuck Art Let’s Dance (Thursday, December 3 at The Electric Pickle at 10:00 PM)

By far the best name of any party happening in Miami during Art Basel week—or any party in any city during any other week—the yearly shindig is bringing Kim Ann Foxman, Justin Strauss, and Miami Players Club to the Electric Pickle in Wynwood for a suite of DJ sets mixing deep house tracks with just the right amount of tropical groove. To cap the night off, Miami staples Psychic Mirrors will be playing one of their legendary live sets, mixing together soul, funk, and psychedelic sounds into something singularly South Beach.

Superfine! Jet Set Jubilee (Thursday, December 3 at 8300 Northeast 2nd Avenue at 7:00 PM)

Ever wanted to see Shamir perform while surrounded by an “immersive” 3000 square foot chandelier designed by the Miami-born, Brooklyn-based artist Diego Montoya? Yeah, that’s what I thought. The minds at Superfine! have put together another expertly curated series of concerts in tandem with their impeccable for contemporary art and design. This time around they’ve brought in Shamir—fresh off his acclaimed debut album Ratchet—for a performance that is larger than life. Literally. That chandelier is going to be huge.

Green Velvet and Tiga (Friday, December 4th at Trade at 11:00 PM)

Any show featuring Green Velvet promises to be as strange as it is fantastic. Techno’s resident oddball is ready to take on Miami alongside Tiga, a 1-2 punch that will satisfy hardcore techno purists and newcomers alike. This show is flying slightly under the radar but don’t sleep on it, these two are the real deal.

DJ Mustard and Fabolous (Saturday, December 5th at Toejam Backlot at 9:00 PM)

DJ Mustard’s fingerprints have been all over the pop and hip-hop landscape for the last year and change so it makes sense that he’s the headliner at this Saturday night show. He’ll be joined by rap stalwart Fabolous for a night of throwback hits mixed with Mustard’s signature sound. RSVP at CLSoundtrack[at]fresh.guestcode.com.

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Fashion, Featured

The Fabulous 5.5: Art Basel Planning Guide #3

December 1, 2015

Under the Radar 2015

With dozens of places to go, thousands of things to see, and a million elbows, here are a few special spots. For those of you who make a career at this, or a career out of bragging about this, or travel to go where fewer have gone, here are 5.5 selections.

#5: Ai Weiwei pops up at Basel more than a pop-up. Why 2015? Colored vases from the Mary Boone Gallery at Art Basel. Protesters: please leave Mr. Wei’s vases alone.

Colored Vases

#4: Say my name; say my name: Warlimpirrnga Tjapaltjarri. New York’s Salon 94 brings this Aboriginal Australian’s oil paintings to life mirroring textiles and mimicking sand sculpture. If you know about dreamtime, here it is in reality. Also at Art Basel.

 

Warlimpirrnga Tjapaltjarri

 

#3: Joris Van de Moortel: This Belgian artist from Antwerp will present his solo work for the first time in the USA presented by the Denis Gardarin Gallery at UNTITLED. The art teacher’s question, “What is going on in this picture?” earns a lengthy response with works from Rotten Sun, Van de Moortel’s sculpted, painted, musical installation.

 

Jan Van de Moortel image by WeDocumentArt

#2: Larissa Bates at NADA in the Fountainebleau. Out of Vermont, Costa Rica, St. Augustine’s Monya Rowe Gallery and ARTADIA, there is something of Italy 1450, Ubud 1980, and Tokyo 2005 in one painting, then outback, desert, and prep school in the next.

 

Larissa Bates

#1: Jennifer Rubell is always on point. Over the years, she has fed Miami’s Art Basel crowd breakfast a dozen times – things like oatmeal, Sun Maid raisins, yogurt, dripping honey, and massive portions of delicious creativity. This year’s food-based installation: Devotion – bread, butter, and a couple to be married later. 9-11am on December 3 at The Rubell Family Collection 95 NW 29th Street.

Jennifer Rubell

 

.5: The weather forecast is bad, on the radar, not under it.

 


b

The North American Premiere Of Isaac Julien’s Commission For The Rolls-Royce Art Programme To Be Shown During Art Basel In Miami Beach

PHOTO (select to view enlarged photo)

GOODWOOD, England, Nov. 17, 2015 — Rolls-Royce Motor Cars, in partnership with the National YoungArts Foundation, will present the North American debut of Isaac Julien’s work Stones Against Diamonds (Ice Cave) during Art Basel in Miami Beach 2015. The work by the Turner Prize nominated artist, commissioned as part of the Rolls‑Royce Art Programme, will be shown from 1-5 December 2015 at the National YoungArts Foundation ­– located at the nexus of Miami’s Wynwood Arts District, Arts and Entertainment District and Edgewater. The video installation will fill the interior of the magnificent YoungArts Jewel Box across 15 screens, the largest and most impressive presentation of the work to date.

UBS Art Collection Highlights

This year’s annual presentation of work from the UBS Art Collection explores the theme of Inside:Out, complementing and drawing inspiration from the bright, airy and sophisticated redesign of the UBS Lounge and its new hanging garden. The installation features approximately 30 works of art by 15 artists that reflect the notion of bringing the outside in, breaking down barriers between fiction and reality and between public and private space to create images inspired by fantasy, pleasure, sensation, nature and alternative landscapes. A highlight is the newly acquired Native Land (2014), a lightbox by Doug Aitken. Filled with a mosaic of colorful roadside signs, this work highlights the intrusion of advertisements in the American landscape. Additional featured artists include Vija Celmins, Francesco Clemente, Carlos Cruz-Diez, Gilbert & George, Andreas Gursky, Catherine Opie, Marc Quinn, Caio Reisewitz, Gerhard Richter, Pipilotti Rist, David Schnell, Simmons & Burke, Xaviera Simmons, Thomas Struth and Corinne Wasmuht. The works, selected by UBS Art Collection Curator for the Americas Jacqueline Lewis, represent a globally diverse range of artists, themes and media, including installations, kinetic sculpture, painting, drawing and photography.

Miami Herald | MiamiHerald.com

UNREALISM

Unrealism: Exhibition of figurative art organized by mega-dealers Jeffrey Dietch and Larry Gagosian. The Moore Building-Elastica, 191 NE 40th St., Design District. 11 a.m.-8 p.m. Free. bridgehouseevents.com.

LITTLEST SISTER FAIR

Gallerist Anthony Spinello launches his Little River space with the fourth Littlest Sister, a “faux” invitation art fair featuring 10 unrepresented women-identified Miami artists in a presentation curated by Sofia Bastidas. Each artist has a solo booth; the fair also includes a sector on sound and performance presentations and a series of critical panels exploring arts and real estate, writing, design and collecting. 7221 NW Second Ave.; littlestsister.com. 8-11 p.m. Monday; noon-7 p.m. Tuesday-Sunday. Free.

 Sean Kelly X Chrome Hearts: Work by Marina Abramović, Los Carpinteros, Jose Dávila, Robert Mapplethorpe, Mariko Mori, Alec Soth and Kehinde Wiley. Chrome Hearts, 4025 NE Second Ave., Second Floor. Free.

100+ Degrees in the Shade: A Survey of South Florida Art: Work by South Florida artists. 3900 N. Miami Ave., Design District. 11-9 p.m. daily. Free.

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ARTSY

Your All-Encompassing Guide to Miami’s Sprawling Art Scene

By Alexxa Gotthardt

To the contemporary art set, Miami is a place of annual pilgrimage, where productivity and decadence play nice. Each December, gallerists, collectors, artists, and curators make their way to the palm-studded metropolis to sell their wares, mount exhibitions, and party in duds that would make Miami Vice’s Crockett and Tubbs proud. Art Basel in Miami Beach might be considered the nucleus of this activity, but with satellite fairs and ephemeral exhibitions opening in Art Deco monuments and beach bungalows alike, it’s high time to take a comprehensive look at what’s happening across the city’s sprawl, from South Beach to Little Haiti.


Diana Nawi, photo by Mylinh Trieu Nguyen; Emmett Moore, photo by Gesi Schilling; Nina Johnson-Milewski, photo by Gesi Schilling; Jorge Perez.

With guidance from four Miamians—gallerist Nina Johnson-Milewski, artist Emmett Moore, curator Diana Nawi, and collector and philanthropist Jorge Perez—we highlight the art spaces and watering holes of a city where beaches and swamps, American and Latin American traditions, and collections of rare palm trees and blue chip art collide. Our take away: even after the art-crowd’s dust settles, Miami is a mysteriously enchanting place where cultural output of all persuasions churns.

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Miami Beach


Photos by Gesi Schilling.

Edged by sherbet-hued high-rises and beaches dotted with hotel lounge chairs, this skinny strip of land—some call it a sandbar on steroids—is where Miami’s more flamboyant character traits originate. Separated from the mainland by Biscayne Bay, this is the sandy ground on which the holiest Art Deco edifices, flashiest clubs, and the smallest bathing suits consort. It’s also home to sprawling art fairs, beachside pop-up projects, old-school restaurants, and dive bars heralded by glowing neons that look like they were forged in the ’50s.

A. Art Basel in Miami Beach

Miami Beach Convention Center, 1901 Convention Center Drive

After Art Basel expanded to Miami in 2002, settling into the Miami Beach Convention Center (between the beach and the Botanical Garden), the city quickly became an annual stop for collectors and artists. As the parent of an ever-growing brood of art fairs that crop up during the first week of December, this mainstay is the first stop for many people, thanks to its mix of booths from the biggest, bluest-chip galleries and ambitious younger spaces, curated projects, and a constant flow of programming.

B. Design Miami/

Meridian Avenue & 19th Street, adjacent to the Miami Beach Convention Center

Across the street from Art Basel, this sophisticated fair hosts a robust cohort of galleries focused on contemporary and historic design, from immersive architectural environments to jewel-like light fixtures that fit in the palm of your hand, created by the world’s most inspired designers—Giò Ponti, Maria Pergay, and Julie Richoz among them.


Rendering of UNBUILT: Design Miami/ Harvard GSD Pavilion. Courtesy of Harvard Graduate School of Design.

Insider tip: Don’t miss Kengo Kuma’s nomadic tearoom, rendered completely in plastic, at Galerie Philippe Gravier, or Jean Prouvé’s 1939 military hut—the only one of its kind still in existence—at Galerie Patrick Seguin.

C. Bass Museum of Art

2100 COLLINS AVENUE

Though this museum, founded in 1963 and housed in an impeccably preserved Art Deco structure, is currently under renovation, conceptual artist Sylvie Fleury is hanging her site-specific Eternity Now on the building’s facade from December 1st through May 31st, 2016.

The glowing neon sign is a part of Art Basel and the Bass’s five-year-running public art collaboration in Collins Park, which is adjacent to the museum. This installment, curated by Public Art Fund’s Nicholas Baume, brings works by Sam FallsKatharina GrosseJacob Kassay, and Hank Willis Thomas to the lush lawn.

D. Nautilus, a SIXTY Hotel

1825 COLLINS AVENUE

Two blocks away and right off the beach, a shiny renovation of this hotel is accompanied by activations from “Greater New York” breakout artist Mira Dancy (with a sprawling mural), Katherine Bernhardt (with a plucky fresco on the floor of one of the pools), Eddie Peake (with a mirrored rooftop installation), and other works tucked playfully into idiosyncratic spaces throughout the compound. Curated by Artsy’s Elena Soboleva, Artsy Projects: Nautilus is a collaboration between Artsy and the hotel.

E. The Standard Spa Miami Beach

40 ISLAND AVENUE

Swing by the swank Standard hotel, just off Miami Beach on Belle Isle, for a snack on its expansive deck, or pick up one of Miami-based artist Jim Drain’s limited-edition posters, released for fair week.

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South Beach

A. UNTITLED

Ocean Drive and 12th Street

This curatorially driven satellite fair on the beach boasts booths by The Hole, Taymour Grahne, Steve Turner, and even Aperture Foundation. Throughout the week, performances move through the tent and its surrounding landscape. Don’t miss artist and choreographer Madeleine Hollander’s MILE, beginning each day on the east side of the structure at 4 p.m. Also on our radar is UNTITLED Radio, a series of daily radio shows that replace traditional art fair panel discussions.

B. Scope

801 Ocean Drive

This year marks Scope’s 15th anniversary in Miami. They bring 120 exhibitors along with curated sections Juxtapoz Presents, the Breeder Program, and FEATURE, the last featuring 10 booths that highlight new approaches to photography.

C. La Sandwicherie

229 14th Street

For a much needed dose of sustenance after a long day of fair hopping, grab a stool at La Sandwicherie’s counter, where you’ll likely devour one of their signature sandwiches—all available on a croissant in lieu of bread or bun. Wash it down with a smoothie or early evening beer. Or come back late night for a snack and hazy conversation with the post-party art crowd. It’s one of the few places in South Beach that’s open very late—until 5 a.m.

D. Mac’s Club Deuce

222 14th Street

Miami’s oldest bar, Mac’s Club Deuce is also the city’s greatest dive, offering a swirl of whiskey and jukebox tunes to colorful regulars, pool sharks, and wobbling newbies alike. Last year, its Hawaiian shirt-sporting owner, Mac Klein, turned 100.


Exterior of The Wolfsonian-FIU. Courtesy of The Wolfsonian–FIU.

E. Wolfsonian-FIU

1001 Washington Avenue

This museum is one of the crown jewels of Miami curiosities. Founded by Miami philanthropist and passionate collector-wanderer Mitchell Wolfson in 1986 to house his ever-growing collection of decorative art and propaganda—his collecting habits famously began with a stockpile of treasured vintage hotel keys—this wunderkammer is housed in a boxy, stunningly beautiful Mediterranean Revival building. Up now, don’t miss “Margin of Error,” which takes a look at “cultural responses to mechanical mastery and engineered catastrophes of the modern age—the shipwrecks, crashes, explosions, collapses, and novel types of workplace injury that interrupt the path of progress.”

F. Puerto Sagua

700 Collins Avenue

Insider tip: For a quick, low-key, and delicious bite (don’t miss the flan), take a seat at this Cuban diner—and take home one of their fantastic paper placemats, complete with a vintage Miami map. Take note: after a kitchen fire, Puerto Sagua has temporarily closed its doors but is set to reopen on November 30th, just in time for fair week.

G / H / I. Joe’s, Milo’s, and Prime 112

11 Washington Avenue; 730 First Street; 112 Ocean Drive

Insider tip: For a longer, more luxurious meal, try one of Jorge Perez’s favorites: Joe’s for stone crabs, a local delicacy (everyone wears bibs); Milo’s for fresh fish; and Prime 112 for a nice big steak.

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North Beach

A. Faena Hotel

3201 Collins Avenue

Collector and hotelier Alan Faena’s newest complex fuses a freshly minted hotel with an ambitious art space called Faena Forum, designed by Rem Koolhaas’s OMA. While the Forum won’t open until spring 2016, its programming kicks off—and into the streets, during the first week of December, when assume vivid astro focus installs a kaleidoscopic roller-disco on the beach. It’s open to the public, who can take a spin to DJ sets.


Rendering of assume vivid astro focus’s roller rink. Courtesy of FAENA ART.

B. EDITION Hotel

2901 Collins Avenue

While it might be best known for the long lines that amass outside its club (cool-kid magnet BASEMENT), EDITION hosts a set of diamond-in-the-rough projects in its poolside bungalows. If you can find them through the long marble lobby and stand of towering potted banana plants, Louis B. James (Bungalow 262) shows virtual reality-laced works by Jeremy Couillard, and Harper’s Books (Bungalow 252) hosts a signing with artist Sue Williams of her new, gorgeous monograph on December 2nd.

C. NADA

The Fontainebleau Miami Beach, 4441 Collins Avenue

Making a move from the charmingly retro Deauville Beach Resort way uptown to the high-gloss Fontainebleau marks a big shift for the New Art Dealers Alliance (NADA) fair, which is focused on younger galleries. From L.A.’s Anat Ebgi to Berlin’s SANDY BROWN to New York’s Karma, its exhibitors are known for bringing an inspired mix of new work into the fold.

D. PULSE

Indian Beach Park, 4601 Collins Avenue

A couple of blocks north is another fair that’s carved a place for itself on the main drag. From mainstay galleries like Yancey Richardson to groundbreaking nonprofits like Visual AIDS and RxArt, most booths here mount focused presentations of works of two to three artists. Don’t miss the fair’s curated section, PLAY, surfacing innovative video and new media selections from idiosyncratic New York-based curator Stacy Engman.

E. Miami Project and Art on Paper

Deauville Beach Resort, 6701 Collins Avenue

Take a cab a few minutes north, and you’ll find satellite fairs Miami Project and Art on Paper, taking NADA’s place at the Deauville Beach Resort. Also filling this hub is a dynamic selection of performance, installation, and new media interventions from SATELLITE, a multipart curatorial effort. We’re especially excited that Brooklyn bar and concert venue Trans Pecos is setting up shop there with sets by Fade to Mind and Michael Beharie, among others.

F. Sandbar Lounge

6752 Collins Avenue

Insider tip: Across the street, visit Sandbar Lounge, a sand-covered dive bar for a drink and game of pool after a long day trekking up the beach.

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Design District

As you pass across the causeway that traverses Biscayne Bay, Downtown Miami’s skyline comes into focus. Behind it lie some of the city’s most dynamic cultural spaces. You might first land in the city’s Design District, just north of highway 195, where boxy warehouses and parking garages have, in recent years, been converted into sharp design shops, art galleries, and restaurants.

A. ICA Miami

4040 NE 2nd Avenue

While its new Aranguren & Gallegos Arquitectos-designed building begins construction, the one-year-old ICA brings a strong assortment of contemporary exhibitions to its temporary home. This season surfaces a solo exhibition by radical video artist Alex Bag, which Diana Nawi is keenly anticipating. For his part, Emmett Moore is looking forward to future programming: “I’m excited to see the new ICA building. They’ve managed to put on some great shows in their temporary space so I can only imagine what’s in store.”

B. de la Cruz Collection Contemporary Art Space

23 NE 41st Street

Around the corner, visit one of Miami’s acclaimed private art collections, brought into the public sphere by Rosa and Carlos de la Cruz. This year, the group show “You’ve Got to Know the Rules…To Break Them” promises irreverent highlights from the couple’s encyclopedic holdings of today’s most influential work.
Insider tip: “The private collections in Miami are amazing troves of contemporary art,” says Diana Nawi.


Installation view of “Beatriz Monteavaro: Nochebuena.” Courtesy of Locust Projects.

C. Locust Projects

3852 North Miami Avenue

Since its founding in 1998, this artist-run nonprofit space has produced a steady stream of experimental projects. This month, it’s a platform for ambitious work by a bevy of young artists—sculptor Martha Friedman, choreographer Silas Riener, installation artist Beatriz Monteavaro, and conceptual artist Martine Syms.

Insider tip: And as you traverse the city, look out for Syms’s NITE LIFE—graphic prints, emblazoned with phrases like “Darling It Won’t Be The Same Always” plastered on city buses and bus stops. They resemble mid-1900s “Chitlin’ Circuit” posters, which advertised shows at venues where black musicians could perform freely and securely during segregation.

D. Jeffrey Deitch and Larry Gagosian’s “UNREALISM” at the Moore Building

191 NE 40th Street

Sometime rivals Jeffrey Deitch and Larry Gagosian embark on their first collaboration over four floors (about 28,000 square feet) of this Design District architectural gem. Their joint curatorial project, “UNREALISM,” brings together artists—from John Currin to Elizabeth Peyton to Jamian Juliano-Villani—representing a renaissance in figuration.


Larry Bell’s 6 x 6 An Improvisation. Copyright of Larry Bell. Photo by Alex Marks, 2014. Courtesy of Chinati Foundation.

E. Larry Bell’s 6 x 6 An Improvisation at the Melin Building

Suite #200, Melin Building, 3930 NE Second Avenue

White Cube brings Larry Bell’s 6 x 6 An Improvisation—an ethereal installation built from towering, reflective glass panels—to Miami. The Light and Space pioneer’s masterwork promises a quiet, contemplative reprieve from the teeming fairs and sprawling collection shows.

F. Mandolin

4312 NE 2nd Avenue

Insider tip: For lunch or dinner, try one of Nina Johnson-Milewski’s favorites, Mandolin: “It’s such a lovely atmosphere, owned and operated by the nicest people.” It also serves some of the city’s best seafood, on a hidden patio dotted with sky blue chairs and fresh flowers.

G. Michael’s Genuine

130 NE 40th Street

Insider tip: Or for heartier fare in an equally unhurried environment, grab a seat at Michael’s Genuine, opened by James Beard-honored Michael Schwartz. It’s one of Jorge Perez’s favorites. You’ll have no regrets after devouring the Harris Ranch black angus burger (don’t dare skimp on the brioche bun).

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Little Haiti / North Miami

In the 1800s, this area, north of downtown Miami, was covered with lemon groves, from which it drew its first nickname, “Lemon City.” Today, it’s defined by its Haitian immigrant population and burgeoning art scene.

A. Gallery Diet

6315 NW 2nd Avenue

Founded by impresario Nina Johnson-Milewski in 2007, this Miami mainstay recently moved north from Wynwood to a four-building, 15,000 square-foot compound in the heart of Little Haiti. “I’m loving our new home,” says Johnson-Milewski. “For the first time in nearly ten years I have windows and outdoor space. Who knew Vitamin D was so essential?” “Trees in Oolite,” the gallery’s first design exhibition, uses this fresh air to its full advantage. In the complex’s courtyard, brutalist furniture by Emmett Moore, Katie Stout, and Snarkitecture sits among lush mango, avocado, and oak trees. Inside, don’t miss Ann Craven’s solo show of lush skyscapes she painted en plein air in Maine, with the moon and the occasional candle as her only light sources.

B. Spinello Projects

7221 NW 2nd Avenue

This experimental space is up to its old boundary-pushing tricks during fair week with “Littlest Sister,” a conceptual exhibition that calls itself a “faux” art fair, with the tagline “Smallest Art Fair, Biggest Balls.” The project gathers “booths” by 10 women-identified artists, all unrepresented and working in painting, installation, new media, and performance.

C. Michael Jon Gallery

255 NE 69th Street

This gallery’s roster is chock full of up-and-coming artists from across the country—Paul Cowan, Math Bass, and JPW3, to name a few. This month, Sofia Leiby brings bright, active paintings that resemble letters and words breaking out of alphabetic confines and wiggling their way to abstraction.

D. Fiorito

5555 NE 2nd Avenue

Insider tip: Travel south past Little Haiti Park and you’ll find Fiorito, a small Argentinian restaurant that’s “a good local spot for a low key dinner,” says Emmett Moore. “I have dreams about their grilled octopus.”

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Wynwood


Haas & Hahn mural in progress at Wynwood Walls. Courtesy of Wynwood Walls. Photo by Martha Cooper.

Wynwood has become the poster child for the rampant expansion of Miami’s art scene to the mainland, and likewise into the city’s streets. Over the last six years, murals have spread across the concrete walls of the district’s abandoned factories and warehouses. Galleries and private collections have followed suit, marking a cultural renaissance for this formerly industrial neighborhood, nicknamed “Little San Juan” for its still-vibrant Puerto Rican community.

A. Wynwood Walls

2520 NW 2nd Avenue

Pioneered by vociferous street art advocate Jeffrey Deitch, along with late real estate developer Tony Goldman, the murals that make up Wynwood Walls were some of the first carrots to draw the international art set to Wynwood in 2009. Every year, new murals are added to the colorful cohort that includes street art’s most influential names—and some of its undisputed masterworks—from Aiko to Shepard Fairey to Futura to Os Gemeos. This year, 14 new murals and installations (by Fafi, Crash, Logan Hicks, and more) are unveiled.

B. Rubell Family Collection

95 NW 29th Street

Amassed by charismatic patrons Donald and Mera Rubell, this expansive collection is housed in a monumental 45,000-square-foot space that was once owned by the Drug Enforcement Agency. This year, they present “NO MAN’S LAND,” focused on the influential output of female artists ranging from Michele Abeles and Jenny Holzer to Shinique Smith.

Insider tip: Don’t miss Jennifer Rubell’s Devotion, one of the artist’s signature interactive food-based installations that, this year, explores buttering bread as an act of intimacy and interpersonal connection, on December 3rd from 9–11 a.m.

C. The Margulies Collection at the WAREhOUSE

591 NW 27th Street

Housed in a repurposed Wynwood warehouse, this must-see private collection belongs to Miamian Martin Z. Margulies. This year, don’t miss new exhibitions of work by Anselm Kiefer and Susan Philipsz, as well as recent acquisitions of pieces by Mark Handforth, Lawrence Carroll, and more.

D. Spencer Finch’s Ice Cream Truck

3401 NE 1st Avenue

Insider tip: While strolling through the neighborhood, drop by artist Spencer Finch’s ice cream truck. “His solar-powered truck will provide anyone in the area with edible frozen works of art free of charge,” explains Jorge Perez.


Mana Wynwood’s facade. Image courtesy of Mana Contemporary.

E. Mana Wynwood

318 NW 23rd Street

This year, Mana Contemporary unveils a 30-acre campus—every corner devoted to contemporary art and culture—that rivals its much talked-about New Jersey compound. Large-scale exhibitions highlighting three influential private collections (the Frederick R. Weisman Art Foundation, the Jorge M. Pérez Collection, and the Tiroche DeLeon Collection) herald this new mainstay on the Wynwood circuit.

F / G. Art Miami and CONTEXT Art Miami

3101 NE 1st Avenue

These sister art fairs, the 26-year-old Art Miami and the four-year-old Context, are must-see stops in Wynwood.

H / I. Panther Coffee, Gramps

1875 Purdy Avenue; 176 NW 24th Street

Insider tip: For a caffeine boost, pass through a the doors of a Barry McGee mural-swathed building to Panther Coffee. Or for a stiff drink among creative Miamians, try Gramps, “pretty much the only bar I got to,” says Emmett Moore. “It has a lot of the qualities of old Miami dive bars with some silly artsy stuff mixed in.”

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Park West/Downtown

Taking the southern route from Miami Beach to the mainland, across the MacArthur Causeway, you’ll land in Park West, with Downtown Miami just south of you. Here, skyscrapers house big business and club culture alike. In recent years, the adjacent waterfront, formerly monopolized by the run-down Millennium Park, has transformed into Museum Park, an impeccably manicured landscape of gardens and cultural centers.

A. The Perez Art Museum Miami (PAMM)

1103 Biscayne Boulevard

This stunning museum, which opened its Herzog & de Meuron-designed doors in 2013, recently brought star curator Franklin Sirmans on as director to helm its ambitious program. This fall, don’t miss Nari Ward’s mid-career retrospective, “Sun Splashed,” curated by Diana Nawi, and Miami-based artist Nicolas Lobo’s “The Leisure Pit,” which showcases large-scale concrete sculptures, festooned with the occasional flip-flop, that he forged in a swimming pool.

B. Cisneros Fontanals Art Foundation

1018 North Miami Avenue

This stunning building, its facade covered in over one million tiles that together resemble a verdant junglescape, houses patron Ella Fontanals-Cisneros’s comprehensive collection of primarily Latin American art. Up now, don’t miss Cuban artist Gustavo Pérez Monzón’s “Tramas.”

C / D / E. The Corner, NIU Kitchen, and Zuma

1035 N. Miami Avenue; 134 NE 2nd Avenue; 270 Biscayne Boulevard Way

Insider tip: For a cocktail (we recommend their Hurricane, complete with passion fruit shrub and pineapple) pop into The Corner, Diana Nawi’s “go-to bar.” For dinner, head south to NIU Kitchen’s beautiful nook for delicious Catalan fare. Or for a more dramatic dining experience, make a reservation at Zuma for elegant Japanese plates enjoyed from a perch overlooking the water.


Photo by Gesi Schilling.

—Alexxa Gotthardt

A Short List of Miami Art Week Events

Gagosian, Stallone and even Edvard Munch are bringing it this year

Isaac Julien’s Stones Against Diamonds (Ice Cave) at Art Basel in Miami Beach 2015. (Photo: Courtesy of Rolls-Royce Motor Cars)

ven Isaac Julien’s Stones Against Diamonds (Ice Cave) at Art Basel in Miami Beach 2015. (Photo: Courtesy of Rolls-Royce Motor Cars)

Miami Art Week gets a bad rap for being a nonstop rager, what with the Cristal, the caviar and the unicorn rides (trust me, Peter Brant can make that happen). But, in salute to the fact that what’s on view (I’m talking about art, not bikini models) can be just as intoxicating, we picked out just a handful of events that put the emphasis on art.
For a huge and updating list of events, see observer.com/art

MONDAY NOVEMBER 30

Isaac Julien | Commission for Rolls-Royce Art Programme in Miami for Art Basel in Miami Beach
Opening
Jewel Box, National YoungArts Foundation
2100 Biscayne Boulevard
And we’re off! Rolls-Royce, the choice car of haughty old Englishmen and ’90s rappers, has commissioned a new work by influential British artist Isaac Julien titled Stones Against Diamonds (Ice Cave) to be shown at the YoungArts Jewel Box as part of Art Basel Miami Beach 2015. Covering 15 screens, Mr. Julien’s tour-de-force was shot inside isolated glacial ice caves in the Vatnajökull region of Iceland. The artist interpreted this remote landscape as a metaphor for the subconscious, a place of rich beauty that can only be accessed through psychoanalysis and artistic reflection. Damn that’s deep! So if you’re rollin’ through Miami’s Wynwood District this year in your souped up KIA, maybe stop into this exhibit for a much-needed ego (and id) check.

A moon painting by Anne Craven. (Photo: Courtesy of Maccarone, New York)

A moon painting by Anne Craven. (Photo: Courtesy of Maccarone, New York)

Gallery Diet
Ann Craven’s I Like Blue 
Opening reception
6315 NW 2nd Avenue
5-8 p.m.
A teacher’s influence lasts a lifetime. Prime example: One of painter Ann Craven’s former students from a class in 2004 eventually decided to open a gallery in the Basel host-city of Miami. That student was Nina Johnson-Milewski, owner/director of Contemporary art collector favorite, Gallery Diet. Cut to 2015, and that student is about to open a show of her former teacher’s work at her new location in the up-and-coming neighborhood of Little Haiti. Ms. Craven’s painterly goodness is reason enough to see this show—she has serious chops—but this will also be the best place to find crusty die-hard Miami locals, the art lovers who run this city for more than just one week out of the year.

TUESDAY DECEMBER 1

Jarry Deigosian.

Jarry Deigosian.

“Unrealism”
Organized by Gagosian Gallery and Jeffrey Deitch
Moore Building
3841 NE 2nd Avenue, Miami
Opening reception 5-8 p.m.
This is kind of like when the Penguin and the Riddler teamed up for the very first time: it was fearsome yet wildly entertaining. But what has finally brought former art world foes Larry Gagosian and Jeffrey Deitch together under one Design District roof? Figurative painting, of course. You just know it will be a humdinger, too, with works from both the older guard like John Currin, Elizabeth Peyton and David Salle and the very new guard, which includes young hotshots like Jamian Juliano-Vilani and Ella Kruglyanskaya. It’s all part of the evil duo’s diabolical plot to reallocate collector funds to their secret offshore lair, part of a grander scheme to take over the world… Can nothing stop them?

Yo! Adrian, Picasso, et al.

Yo! Adrian, Picasso, et al.

Galerie Gmurzynska ‘dinatoire’ for Germano Celant and Sylvester Stallone
Villa Casa Casuarina
1116 Ocean Drive
8:30 p.m. Private
Guest curator Germano Celant organized the Art Basel Miami booth for this Zurich gallery with some top-notch artists (Picasso, Dubuffet, you know, the usual masterworks) and there’s a party in honor of this fact. It will be held at the sumptuous Villa Casa Casuarina, better known as the former castle-like home of the late fashion designer Gianni Versace, a.k.a. the Versace Mansion. Oh and the star of such mega-hits as Stop or My Mom Will Shoot! and Rhinestone should be making the scene…Mr. Stallone is an accomplished painter himself, f.y.i. Sadly, the event is invite only, but if you Netflix Rocky in your hotel while drinking little bottles of booze from your mini-fridge, you can convince yourself it’s more or less the same thing.

THURSDAY DECEMBER 3

NADA Miami Beach 2012 Photo by Andrew Russeth)

NADA Miami Beach 2012 (Photo: Courtesy of Andrew Russeth)

NADA Miami Beach art fair
Private preview
Fontainebleau Miami Beach 
4441 Collins Avenue
10 a.m.-2 p.m.
The market for emerging art is as dead as Dean Martin, right daddio? Wrong. That’s exactly what these fat cats want you to think so they can get all the primo goodies for themselves. Well, we can’t let that happen, can we? This is what you do: set four alarm clocks the night before. Print out your list of potential emerging art targets. I suggest you wear something that you can move well in (a track suit maybe) and show up to the Fontainbleau a few hours early. You might even want to wear some elbow and kneepads. The Horts are not afraid to throw an elbow or two when jockeying for position in front of the Canada gallery booth, and you shouldn’t be either. Okay, deep breath… Let’s do this.

FRIDAY DECEMBER 4

8d609ec7922ef783ea8a71772a967092 A Short List of Miami Art Week Events

Miami meet Munch.

Edvard Munch Art Award
Shelbourne Hotel South Beach
1801 Collins Avenue
By invitation, or Art Basel First Choice
VIP card
Now this is a big deal. The Edvard Munch Art Award is back after an almost 10-year hiatus, and the winner will be announced in Miami during Basel Week (yes, that thud is the sound of  Munch rolling over in his grave.) The 500,000 NOK award (roughly $58,000) is given to “an emerging visual artist, no older than 40 years of age, who has demonstrated exceptional talent within the last five years.” The award also includes a solo exhibition at the Munch Museum in Oslo, Norway. Not a bad haul. That, plus the fact that the reception should be filthy with good-looking Scandinavian models, has us considering this party a rather hot ticket.

–HAMPTONS MAGAZINE
What to Expect at Art Basel in Miami Beach This YearBy Matt Stewart | November 20, 2015 | Culture
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Art & Culture

The Fabulous 5.5: Art Basel Planning Guide #2

November 17, 2015

Top Art Basel Bar Escapes 2015

Walking around during Art Basel exhausts everyone. Feet hurtin’, eyes burnin’, throat in need. Like a European museum tour, it doesn’t take long for one to burn out. If you are of age, liquid respite beckons.

Who has what it takes near the venues?

Consider these 5 places to escape, and a few semi-non-suggestions.

 

Do Not Sit5. Do Not Sit On the Furniture is not a command, but a location at 423 16th Street and the premier beach club for the subterranean set. It’s dark, tight, and a global DJ hideout/paradise. It’s designed like Europe — unpretentious and built for dance.

Regent4. The Regent Cocktail Club: On the corner of 17th and James right in the thick of all things on the Beach rests the regent in the rear of the Gale. No place on the Beach feels this much like the famous old-time, pricey, classy New York City barrooms like the King Cole in the St. Regis or Bemelman’s at the Carlyle. If Cleaveland Jones and his Trio are playing like they often do on Thursday nights, settle in for a few delightful, stirring Brazilian-tinged sets. They got skills.

Radio Bar3. Radio Bar South Beach: All those burnt sienna, earthy tones minus any vestiges of natural light make for a good post-modern, post-apocalyptic vibe. It’s both contemporary and sci-fi Twilight Zone – if something happens outside, you might drink your way through it. Easter Island mugs, a pool table, and stylish cocktails contribute. 814 1st Street and looking very different outside from inside.

Broken Shaker2. Broken Shaker: The old Indian Creek Hotel became the Freehand Hostel and these Bar Lab dudes, Gabriel Orta and Elad Zvi got semi-famous and started making freaky cocktails and suddenly, yeah like, you know, the place got very hip. Amid the gorgeous patio garden are serious cocktails making waves like this one a while back: Kale and Pineapple Caipirinha. 2727 Indian Creek Drive. You can also chill upstairs at 27.

Repour1. Repour: Established in 2015, Repour has developed serious rapport going as far as the bar in Miami Beach least likely to reveal photos showcasing it. Laid back on the beach, lots of handwritten stuff, rarely overcrowded, and beautiful drinks make this locally popular spot in the lobby of the Albion a champion.

.5 Less than worthy: Take your pick. Cool bad-secret is out backroom Bodega, gorgeous view/too tight dresses at Juvia, UFC/NRA/armed to the teeth/hidden entrance Foxhole, no one can stand it but Anthony Boudain Club Deuce, but none of which could ever be worse than rock-bottom Clevelander (except maybe Mangos).

 

MIAMI NEW TIMES

Art Basel Miami Beach 2015 Party Guide

Art Basel Miami Beach 2015 Party Guide

Photo by Nate “Igor” Smith/drivenbyboredom.com

Spring break forever.

Yes, art world, Art Basel in Miami Beach is almost here. And you can pretend all you want that you’re coming to Miami exclusively for the high-brow art and lectures, but nobody’s going to judge you if you manage to get some serious partying done while you’re in town. This is Miami, and if there’s one thing we’re really good at, it’s partying.

And rest assured, there will be tons of parties during Miami Art Week. From the completely free to invite-only, here is the most complete collection of musically driven, nightlife events — with a dash of art thrown in, because, you know, we aren’t savages. And thanks to a generous 5 a.m. closing time — 24 hours in Miami’s Park West district — there’s plenty of time for you to make an Art Basel mistake. (Good news is that mistake probably has a flight back to New York to catch on Sunday.)

Check back often for updates, because we will continue to update this list as more events get announced. Don’t see your event listed here? Send us an email.

Tuesday, December 1

Slap & Tickle Art Basel with Dave1. 10 p.m. Tuesday, December 1, at Bardot, 3456 N Miami Ave, Miami; 305-576-5570; bardotmiami.com. Tickets cost $15 to $20 plus fees via showclix.com.

Favela Beach with Mr. Brainwash, Jus-Ske, Ruen, and Reid Waters. 11:30 p.m. Tuesday, December 1 at Wall Lounge, 2201 Collins Ave., Miami Beach; 305-938-3130; wallmiami.com. Tickets cost $50 to $70 via wantickets.com.

Wednesday, December 2

Behrouz & Friends Art Basel Edition with Damian Lazarus, Behrouz, and Bedouin, Wall Lounge, 2210 Collins Ave., Miami Beach. Tickets $50 via wantickets.com.

A Very Superfine! Kickoff Party with Baio (of Vampire Weekend) and Lauv, presented by Superfine! House of Art and Design, the Citadel, 8300 NE Second Ave., Miami. Tickets $25 via superfine.design/tickets.

Thursday, December 3

PAMM presents “Dimensions” by Devonté Hynes (Blood Orange) and Ryan McNamara, Pérez Art Museum Miami, 1103 Biscayne Blvd., Miami. Open only PAMM Sustaining and above level members as well as Art Basel Miami Beach, Design Miami, and Art Miami VIP cardholders.

Life and Death Art Basel with Tale Of Us, Mind Against, Thugfucker, and special guest Richie Hawtin, Mana Wynwood, 318 NW 23rd St., Miami. Doors 9 p.m.; tickets $15 to $66 via residentadvisor.net.

Connan Mockasin, Bardot, 3456 N. Miami Ave., Miami. Doors 10 p.m.; tickets $15 to $20 via showclix.com.

A Jetset Jubilee with Aeroplane with a super special guest (TBA), presented by Superfine! House of Art and Design, the Citadel, 8300 NE Second Ave., Miami. Tickets $25 via superfine.design/tickets.

Immortal Technique with Hasan Salaam, DJ Static, and El B. 7 p.m. at Churchill’s Pub, 5501 NE Second Ave., Miami; 305-757-1807; churchillspub.com. Tickets cost $25 plus fees via eventbrite.com. Ages 18 and up.

Friday, December 4

When Pigs Fly presented by Link Miami Rebels with artists TBA, Trade, 1439 Washington Ave., Miami Beach. Tickets $15 to $35 via residentadvisor.net.

tINI and Bill Patrick, Heart Nightclub, 50 NE 11th St., Miami. Tickets $20 to $30 via residentadvisor.net.

Safe Off/Basel 2015 with Martyn, the Black Madonna, and Diego Martinelli, Electric Pickle, 2826 N. Miami Ave., Miami. Tickets $18.35 to $21.15 via residentadvisor.net.

Miami Nice Art Basel, All-White Yacht Party, South Beach Lady, Hyatt Dock, 400 SE Second Ave., Miami. Tickets $60 via wantickets.com.

Jamie xx and Four Tet, presented by III Points and Young Turks, at Mana Wynwood, 318 NW 23rd St., Miami. Doors 9 p.m. Tickets $25 to $400 via showclix.com.

Miami Hearts Design, hosted by Karelle Levy with a KRELwear living installation, with Afrobeta and Millionyoung, presented by Superfine! House of Art and Design, the Citadel, 8300 NE Second Ave., Miami. Tickets $15 via superfine.design/tickets.

Avey Tare (Animal Collective) DJ set with Byrdipop and Uchi (live), Bardot, 3456 N. Miami Ave., Miami. Doors 10 p.m.; tickets $15 to 20 via showclix.com.

Nakid Magazine Issue Release Party celebrating Jen Stark. 10 p.m. Friday, December 4, at Libertine, 40 NE 11th St., Miami; 305-363-2120; libertinemiami.com. Admission is $10.

Saturday, December 5

Danny Howells, Do Not Sit On the Furniture, 423 16th St., Miami Beach. Doors 10 p.m.; tickets $20 via residentadvisor.net.

Crew Love Art Basel with Soul Clap, PillowTalk (live), Nick Monaco, Navid Izadi, Jeremy Ismael, and Miami Players Club, Electric Pickle, 2826 N. Miami Ave., Miami. Tickets $15 to $35 via residentadvisor.net.

Big Times in Little Haiti with Jeffrey Paradise (of Poolside), Gilligan Moss, and Krisp, presented by Superfine! House of Art and Design, the Citadel at 8300 NE Second Ave., Miami. Tickets $25 via superfine.design/tickets.

David Squillace. 11:30 p.m. Saturday, December 5, at Wall Lounge, 2201 Collins Ave., Miami Beach; 305-938-3130; wallmiami.com. Tickets cost $40 to $70 via wantickets.com.

Sunday, December 6

The Visionquest Experience with Visionquest (Lee Curtiss, Ryan Crosson, Shaun Reeves), DJ Three, Behrouz, and more, Electric Pickle, 2826 N. Miami Ave., Miami. Tickets $20 to $30 via residentadvisor.net.

Dark Basel with Necro and Madchild. 7 p.m. at Churchill’s Pub, 5501 NE Second Ave., Miami; 305-757-1807; churchillspub.com. Tickets cost $20 plus fees via eventbrite.com. Ages 18 and up

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Market News

NADA Miami Beach Will Move to the Fontainebleau Hotel

The Fontainebleau lobby.COURTESY FONTAINEBLEAU MIAMI BEACH

The Fontainebleau lobby.

COURTESY FONTAINEBLEAU MIAMI BEACH

NADA Miami, the New Art Dealers Alliance’s fair during Art Basel Miami Beach in December, will be moving to the Fontainebleau Hotel on Collins Avenue for its 2015 edition. NADA opened in Miami in 2003, and in 2009 moved to the Deauville Beach Resort, in North Miami Beach, where the fair remained through last year.The de la Cruz Collection is doing a survey show loaded with art stars working in abstraction.

==
The ICA Miami

ALEX BAG

On view December 1, 2015 – January 31, 2016

ICA Miami will present a solo exhibition dedicated to video and performance artist Alex Bag during Art Basel Miami Beach in 2015. On view in ICA Miami’s Atrium Gallery, The Van (Redux)* centers around one of Bag’s key videos, The Van, 2001, and features a dramatic new site-specific installation. This exhibition marks the first major U.S. presentation of the artist’s work since 2009.

 

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The Rubell Family Collection

Genzken I Schauspieler
Isa Genzken, Schauspieler, 2013

NO MAN’S LAND

Women Artists from the Rubell Family Collection

December 2, 2015, through May 28, 2016

 

The Rubell Family Collection/Contemporary Arts Foundation is pleased to announce its upcoming exhibition, NO MAN’S LAND: Women Artists from the Rubell Family Collection, on view in Miami from December 2nd, 2015 through May 28th, 2016. This exhibition will focus on and celebrate work made by more than a hundred female artists of different generations, cultures and disciplines. These artists will be represented by paintings, photographs, sculptures and video installations that will entirely occupy the Foundation’s 28-gallery, 45,000-square-foot museum. Some galleries will contain individual presentations while others will present thematic groupings of artists. Several installations have been commissioned specifically for this exhibition.

In order to present the exhibition’s scope and diversity the Foundation will rotate artworks on view throughout the course of the exhibition, presenting different artists at different times. All of the artworks in the exhibition are from the Rubells’ permanent collection.

Other exhibitions organized by the Foundation include 30 Americans, which is currently on view at the Detroit Institute of Art through January 18, 2016 and 28 Chinese which is currently on view at the San Antonio Museum of Art through January 3, 2016. 30 Americans has now been presented at 9 institutions and seen by over one million people.

A fully illustrated catalog with essays will accompany the exhibition. A complimentary audio tour will also be available.

To celebrate the opening of NO MAN’S LAND, Jennifer Rubell will be presenting Devotion, her 12th annual large-scale, food-based installation on December 3, 2015 from 9 to 11 a.m. Devotion will explore the everyday gesture as a medium for the expression of love. Using bread, butter, and a couple engaged to be married as her media, Rubell will transform the simple act of cutting and buttering bread into a poetic exploration of repetition as devotion

 

List of artists:

Michele Abeles
Nina Chanel Abney
Njideka Akunyili Crosby
Kathryn Andrews
Janine Antoni
Tauba Auerbach
Alisa Baremboym
Katherine Bernhardt
Amy Bessone
Kerstin Bratsch
Cecily Brown
Iona Rozeal Brown
Miriam Cahn
Patty Chang
Natalie Czech
Mira Dancy
DAS INSTITUT
Karin Davie
Cara Despain
Charlotte Develter
Rineke Dijkstra
Theo Djordjadze
Nathalie Djurberg
Lucy Dodd
Moira Dryer
Marlene Dumas
Ida Ekblad
Loretta Fahrenholz
Naomi Fisher
Dara Friedman
Pia Fries
Katharina Fritsch
Isa Genzken
Sonia Gomes
Hannah Greely
Renée Green
Aneta Grzeszykowska
Jennifer Guidi
Rachel Harrison
Candida Höfer
Jenny Holzer
Cristina Iglesias
Hayv Kahraman
Deborah Kass
Natasja Kensmil
Anya Kielar
Karen Kilimnik
Jutta Koether
Klara Kristalova
Barbara Kruger
Yayoi Kusama
Sigalit Landau
Louise Lawler
Margaret Lee
Annette Lemieux
Sherrie Levine
Li Shurui
Sarah Lucas
Helen Marten
Marlene McCarty
Suzanne McClelland
Josephine Meckseper
Marilyn Minter
Dianna Molzan
Kristen Morgin
Wangechi Mutu
Maria Nepomuceno
Ruby Neri
Cady Noland
Katja Novitskova
Catherine Opie
Silke Otto-Knapp
Laura Owens
Celia Paul
Mai-Thu Perret
Solange Pessoa
Elizabeth Peyton
R.H. Quaytman
Aurie Ramirez
Magali Reus
Marina Rheingantz
Bridget Riley
Cristina Lei Rodriguez
Pamela Rosenkranz
Amanda Ross-Ho
Jennifer Rubell
Analia Saban
Lara Schnitger
Collier Schorr
Dana Schutz
Beverly Semmes
Mindy Shapero
Nancy Shaver
Cindy Sherman
Xaviera Simmons
Lorna Simpson
Shinique Smith
Lucie Stahl
Jessica Stockholder
Sarah Sze
Aya Takano
Fiona Tan
Mickalene Thomas
Rosemarie Trockel
Kaari Upson
Hannah Van Bart
Paloma Varga Weisz
Marianne Vitale
Kara Walker
Mary Weatherford
Meg Webster
Carrie Mae Weems
Jennifer West
Sue Williams
Haegue Yang
Anicka Yi
Lisa Yuskavage

 

EXHIBITION SPONSORS:

2015 16 sponsors 2

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THE MARGULIES
COLLECTION
AT THE WAREHOUSE
OPENS TO THE PUBLIC
WITH NEW EXHIBITIONS
OCTOBER 28, 2015 THROUGH APRIL 30,, 2016

2015-2016

What are the new acquisitions on exhibition this year?
Anselm Kiefer, Susan Philipsz, Meuser, Lawrence Carroll, Mark Handforth, Liat Yossifor

Who are the artists new to the Warehouse collection?
Susan Philipsz, Mark Handforth, Liat Yossifor

What artists have permanent installations at the Warehouse?
Pier Paolo Calzolari, Anthony Caro, Willem de Kooning, Donald Judd, Olafur Eliasson, Peter Fischli and David Weiss, Flavin, Michael Heizer, Donald Judd, Amar Kanwar, Kiefer, Jannis Kounellis, Sol LeWitt, Joan Miró, Isamu Noguchi, Michelangelo Pistoletto, George Segal, Richard Serra, Tony Smith, Franz West

Checklist of Artists in this year’s Exhibitions
Magdelena Abakanowicz, Ronald Bladen, Martin Boyce, Pier Paolo Calzolari, Anthony Caro, John Chamberlain, Willem de Kooning, Willie Doherty, Ursula Schultz Dornburg, Olafur Eliasson, Peter Fischli and David Weiss, Dan Flavin, Kendall Geers, Antony Gormley, Mark Handforth, Michael Heizer, Pieter Hugo, Hans Josephsohn, Amar Kanwar, Anselm Kiefer, Jannis Kounellis, Sol LeWitt, Richard Long, Meuser, Domingo Milella, Jackie Nickerson, Joan Miró, Isamu Noguchi, Michelangelo Pistoletto, George Segal, Richard Serra, Tony Smith, Simcha Shirman, Alec Soth, Michael Spano, Franz West, Pavel Wolberg, Manabu Yamanaka

 ==

NYTimes
Miami’s art museums are grabbing headlines with splashy staff hires and well-heeled additions to their boards. Yet when it comes to actual artwork, the city’s marquee collectors — and their personally run exhibition spaces — continue to steal the show. The latest example of “The Miami Model”? A sprawling retrospective from the German blue-chip artist Anselm Kiefer that fills nearly a quarter of the 45,000-square-foot Margulies Collection at the Warehouse — a garment factory transformed into a showcase for art holdings of the real estate developer Martin Margulies.The exhibit opens Wednesday, but “it will be up forever,” Mr. Margulies said. “If you think I ever want to go through this again … .” he trailed off, motioning to the flurry of activity throughout the Warehouse this week. Mr. Kiefer directed a small army of art handlers whirring about on hydraulic lifts, racing to install an array of 25,000-pound detritus-filled sculptures, 10-feet-high neo-runic paintings, and charcoal wall inscriptions, just hours before a dinner benefiting the Lotus House homeless shelter. The works include the new sculpture, “Ages of the World,” a 17-foot stack of 400 unfinished canvases, lead books, rubble and dried sunflowers.Mr. Margulies played down the show being any kind of aesthetic shot across the bow of the Pérez Art Museum Miami, despite his public feud with that institution over its continuing to receive millions in tax dollars from a struggling community rather than relying solely on private contributors. Instead, Mr. Margulies hoped visiting schoolchildren would learn from Mr. Kiefer’s handiwork: Don’t let meager materials limit your vision. “They should realize this is the creative process of an artist.”Mr. Kiefer, 70, remains a controversial figure within the art world, alternately lionized and denounced for artwork invoking both World War II Germany and the kabbalah. Some see transcendent statements, others a reduction of the Jewish experience to kitsch. Both factions will find plenty of grist at the Warehouse, where Mr. Kiefer’s works refer to everything from the poet and Nazi labor camp survivor Paul Celan to the Old Testament’s Lilith.“Important work always creates polarization,” Mr. Kiefer explained. “The victims understand. Those people who see in me a glorifier of fascism — when you look into them, you find they have something to hide themselves.” As for the distinction between having his work shown in a “private” versus public museum, Mr. Kiefer hoped the former would proliferate. Collectors should be free to bypass museum curators, he said, and lavishly pursue their own tastes. He compared the phenomenon with the early 20th-century construction of public libraries by moguls like Andrew Carnegie: “I think it was J. P. Morgan who said, ‘If you die rich, it’s a mistake.’ ” BRETT SOKOL
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The de la Cruz Collection

The de la Cruz Collection presents their 2016 exhibition “You’ve Got to Know the Rules…to Break Them.” Rosa and Carlos de la Cruz have selected a group of artists from their personal collection who have been associated with defining 21st century practice. Self-aware of the influence that technology and the rise of consumerism has had on their work, artists exhibited follow the cool forms of Minimalism, Conceptualism and Abstract Expressionism, while injecting their works with subtle negations of their own process. Looking at traditional techniques behind painting and sculpture, these works co-exist timelessly as strategies of stylistic appropriation raise questions of subjectivity and originality.

“You’ve Got to Know the Rules…to Break Them” contextualizes New American Abstraction with German Neo-Expressionism, revealing earnest explorations of the artists technical acumen.Through experimentation, they antagonize accepted practices by drawing upon a variety of themes including cultural, historical and sociopolitical modes.

Per contra, the third floor contains a study in portraiture and memory with the works of Félix González-Torres, Ana Mendieta and Rob Pruitt. By transforming everyday objects and using energetic gestures and repetition, González-Torres, Mendieta and Pruitt accept diverse ideologies and reject the notion that art has a single vantage point.

By merging a variety of styles and mediums, the works selected for this year’s exhibition mirror contemporary culture while allowing an open-ended conversation of various interpretations and possibilities. Artist in the exhibition: Allora & Calzadilla, Tauba Auerbach, Walead Beshty, Mark Bradford, Joe Bradley, Dan Colen, Martin Creed, Aaron Curry, Peter Doig, Jim Drain, Isa Genzken, Félix González-Torres, Mark Grotjahn, Wade Guyton, Rachel Harrison, Arturo Herrera, Evan Holloway, Thomas Houseago, Alex Israel, JPW3, Alex Katz, Jacob Kassay, Martin Kippenberger, Glenn Ligon, Michael Linares, Nate Lowman, Adam McEwen, Ana Mendieta, Albert Oehlen, Gabriel Orozco, Jorge Pardo, Manfred Pernice, Sigmar Polke, Seth Price, Rob Pruitt, Sterling Ruby, Analia Saban, Josh Smith, Reena Spaulings, Rudolf Stingel, Cosima von Bonin, Guyton/Walker, Kelley Walker, Christopher Wool.

===

Mana Contemporary Announces Its 2015 Miami Art Week Program

Presenting exhibitions from three of the most prestigious private art collections in the United States.

Nov 03, 2015, 16:01 ET from Mana Contemporary

MIAMI, Nov. 3, 2015 /PRNewswire/ — Mana Contemporary is pleased to announce its second edition of programming during Miami Art Week, taking place from December 3 to 6, 2015. Held at Mana’s 30-acre campus in the Wynwood arts district, this event will inaugurate the central 140,000-square-foot building’s new role as the Mana Wynwood Convention Center.

Mana Contemporary will present a diverse roster of exhibitions and programs, including:

Made in California: Selections from the Frederick R. Weisman Art Foundation
Made in California—a phrase popularized in Ed Ruscha’s groundbreaking text/image works—will be a must-see exhibition during Miami Art Week. Frederick R. Weisman was a pioneering Los Angeles collector of California art as it emerged as a center for contemporary art in the 1960s. He built a collection that includes many of the artists that rose to prominence under the legendary Ferus Gallery, and who went on to define art movements such as Light and Space, Finish Fetish, Postmodernism, and beyond. Under the direction of Mrs. Billie Milam Weisman, the foundation continues to amass a substantial collection of Los Angeles and California art. On view will be works by John Baldessari, Mary Corse, Ron Davis, Sam Francis, Joe Goode, Tim Hawkinson, Robert Irwin, and Ed Ruscha, among many others.

A Sense of Place: Selections from the Jorge M. Pérez Collection
Co-curated by Patricia Hanna and Anelys Alvarez
Including a selection of over 60 works from the collection of Jorge M. Pérez, A Sense of Place is an exhibition that explores cultural identity by way of the collection’s recent acquisitions of works by artists from Latin America. Despite the fact that these artists are working in a globalized world, where technology and communication transcend physical boundaries, many of these artists continue to construct personal and cultural identities by exploring ideas that are specific to their contexts of origin. The show will examine the idea of building cultural identity, and how artists use abstraction, architecture, politics, and memory to carve out a sense of place, and how those concerns are reflected in Pérez as a collector and Miami as a developing city. Pérez, named one of the most influential Hispanics in the U.S. by TIME magazine, is considered a visionary for incorporating the arts into his South Florida real estate developments.

Everything you are I am not: Latin American Art from the Tiroche DeLeon Collection
Curated by Catherine Petitgas
Everything you are I am not presents a selection of key works of Latin American contemporary art from the Tiroche DeLeon Collection. Borrowed from a piece in the collection by Argentine artist Adrian Villar Rojas, the title of the exhibition alludes to the common practice among contemporary artists from the region to subvert the canons of mainstream art to produce thought-provoking, often humorous works. With 55 pieces by 30 artists, the exhibition will explore several different facets of this approach. The Tiroche DeLeon Collection was established in January 2011 by Serge Tiroche and Russ DeLeon with a focus on the up and coming art scenes of Asia, Latin America, Africa, the Middle East, and Eastern Europe. London-based Petitgas is one of the world’s most respected collectors of Latin American art, as well as a writer, lecturer, and art historian.

Mana Urban Arts x Bushwick Collective
Mana Urban Arts Project is collaborating with Bushwick Collective to bring live graffiti painting by 50 influential artists to Mana Wynwood’s RC Cola factory. Renowned artists include: Ghost (New York), GIZ (New York), Pixel Pancho (Italy), Case Maclaim (Germany), and Shok-1 (England). The industrial space adjacent to Interstate 95 will transform into a vibrant scene featuring a skateboarding exhibition, breakdancing, DJ performances, and live music.

ALSO ON VIEW AT MANA WYNWOOD

PINTA Miami
PINTA Miami is the only curated boutique art fair with a specific geographic focus that looks to be an international platform for Ibero-American art identities and issues. The fair will showcase the best of abstract, concrete, neo-concrete, kinetic, and conceptual art movements. PINTA has updated its format to present a fully curated fair, featuring an international team of recognized curators chosen to direct each of the five newly designated sections of the fair.

SPECIAL EVENTS

VIP Preview Reception
An exclusive preview dinner will feature a performance by the Miami Symphony Orchestra.

III Points Music Festival
In partnership with III Points, Mana Contemporary will present a series of after-hours music events in Mana Wynwood’s 36,000-square-foot sound stadium.

SHOW INFORMATION

Mana Contemporary
December 3-6, 2015
Mana Wynwood Convention Center
318 NW 23rd Street
Miami, FL 33127
www.manacontemporary.com

Preview Reception
Tuesday, December 1: 6pm9pm: By invitation only

Public Hours
Thursday, December 3: 11am – 8pm
Friday, December 4: 11am – 8pm
Saturday, December 5: 11am – 8pm
Sunday, December 6: 11am6pm

Admission
Admission to Mana Contemporary’s events at Mana Wynwood is complimentary, unless otherwise noted. For tickets and information regarding PINTA Miami, please visit pintamiami.com.

 

Art Basel is just a month away. Last year the fair attracted 73,000 visitors to the Miami Beach Convention Center and this year’s 14th edition looks to be even bigger and better, with 267 galleries from 32 countries exhibiting from December 3rd to the 6th — plus the former head of NYC’s Armory Show, Noah Horowitz, is now running the fair.

Rendering of the new Miami Beach Convention Center
Work on the $615 million renovation of the convention center is scheduled to begin as soon as AB/MB ends, so look for big changes next year. The $20 million re-do of Lincoln Road is also moving along with NYC’s James Corner Field Operations, the firm that did The High Line, winning the contract to update the original Morris Lapidus design from the 1950s.

All the AB/MB side-sectors return, including SURVEY with 14 booths showing “historically informed” works; NOVA, where you’ll find 34 younger galleries showing new works; and sixteen POSITIONS galleries focusing on emerging artists, including Villa Design Group‘s installation of 10 doorways derived from the scene of the 1997 murder of Gianni Versace on Ocean Drive and, “Polyrhythm Technoir,” a filmed “allegory to contemporary electronic music” by Henning Fehr, Danji Buck-Moore and Phillip Ruhr, presented by Galerie Max Mayer.

UNBUILTYves Behar is the recipient of the 2015 Design Miami “Design Visionary Award” and he’ll be honored with a special exhibit in the D/M venue behind the convention center from December 2 through 6. A student team from Harvard was chosen to design the fair’s entrance pavilion for their submission, “UNBUILT,” a collection of foam models of unrealized design projects. Expect thirty five exhibitors including Firma Casa from Brazil, showing new works by the Campana Brothers, and Italian gallery Secondome,with hand-crafted limited editions.

Several changes and new editions are coming to the numerous — 18 and counting — satellite fairs: Miami Project and Art on Paper move into the Deauville Beach Resort (6701 Collins Avenue, Miami Beach), the former site of the NADA fair; while the 13th edition of NADA heads down the street to the Fontainebleau (4441 Collins Avenue, Miami Beach).

The Miami Project is also launching a new spin-off this year called SATELLITE that will show various “experimental” projects in unoccupied properties up near their 73rd Street base. One of those, “Artist-Run,” will fill the rooms in the Ocean Terrace Hotel (7410 Ocean Terrace, Miami Beach) with different installations from 40 artist-run spaces, curated by Tiger Strikes Asteroid. It’s open from December 2nd to 6th, with a VIP/media event on December 1st from noon to 10 p.m. ALSO: Trans-Pecos, the music venue out in Queens, New York, and Sam Hillmer from the band Zs, are putting together a 5-day music program in the North Beach Amphitheater, emphasizing “musical practitioners with some form of art practice.”

Grace HartiganX Contemporary also joins the crowd with their inaugural edition in Wynwood running from December 2nd through Sunday, and a VIP opening on December 1st from 5 to 10 p.m. Twenty eight exhibitiors will be on hand, plus special projects including “Grace Hartigan: 1960 – 1965” presented by Michael Klein Arts; a look at the “genesis of street art” curated by Pamela Willoughby; and “Colombia N.O.W.” presented by TIMEBAG.

Kate Durbin’s “Hello Selfie” / Courtesy of the Artist/Photographer Jessie AskinazPULSE Miami Beach returns to Indian Beach Park (4601 Collins Avenue, Miami Beach) starting with a big “Opening Celebration” at 4 p.m. on December 1st featuring a panel discussion put together by Hyperallergic, an interactive piece by Kate Durbin called “Hello, Selfie!” and a live performance by Kalup Linzy. On December 5th, PULSE celebrates the City of Miami via a talk at 5 p.m. on “Future Visions of Miami” and a “Sunset Celebration” from 5 to 7 p.m. Fair visitors can check out “TARGET TOO,” an installation referencing items sold at the stores, originally on view in NYC last March. There’s a complimentary shuttle from the convention center, and the fair is open daily from 10 a.m. to 7 p.m. through Saturday.

Wynwood WallsWynwood Walls (2520 NW 2nd Avenue, Miami) has a lot planned this year including “Walls of Change” with 14 new murals and installations and the debut of a new adjacent space called “The Wynwood Walls Garden.” The walls are by Case, Crash, Cryptik, el Seed, Erenest Zacharevic, Fafi, Hueman, INTI, The London Police, Logan Hicks and Ryan McGinness. Over in the “garden,” the Spanish art duo Pichi & Avo are doing a mural on stacked shipping containers and in the events space, Magnus Sodamin will be painting the floors and walls. The VIP opening is on December 1st in the early evening, but then it’s open to the public from 11 p.m. to 2 a.m. Goldman Properties’ CEO Jessica Goldman Srebnick talks about how art transformed the Wynwood neighborhood in THIS Miami New Times piece. We also hear that New York developer (and owner of Moishe’s Moving, Mana Contemporary etc.) Moishe Mana is planning a new mixed-use development on his 30 acres of land in the middle of Wynwood.

The Patricia & Phillip Frost Art Museum at FIU (10975 SW 17th Street. Miami) will have 5 exhibitions featuring 4 Miami-based artists: Carola Braco, Rufina Santana, Carlos Estevez and Ramon Espantaleon. Plus there will be a show called “Walls of Color” with murals by the post-war NY artist Hans Hofmam and, this year, the annual “Breakfast in the Park” on Sunday, December 6th, 9:30 a.m. to noon, honors American sculptor Alice Aycock.

Pauchi Sasaki’s speaker dressThe Mandarin Oriental Miami (500 Brickell Key Drive, Miami) and Peru’s gallery MORBO host an exhibition called “Pure Abstraction” by Peruvian artist Alex Brewer, aka HENSE, in the hotel’s Peruvian restaurant, La Mar by Gaston Acurio. There’s a VIP preview in the restaurant on December 3rd featuring a violin performance by Pauchi Sasaki who’ll be wearing her dress made from speakers.

A previous food installation by Jennifer RubellThe Rubell Family Collection (95 NW 29th Street, Miami) will present a big exhibition called “No Man’s Land” featuring women artists from their extensive collection. It’s up from December 2nd until the end of May and will include paintings, sculptures, photos and videos by over 100 female artists. Because of the large number of works, artworks will be rotated throughout the course of the show. Jennifer Rubell will present her twelfth large-scale, food-based installation,”Devotion,” on December 3rd, 9 to 11 a.m. She’ll be using “bread, butter, and a couple engaged to be married” as her media.

Robert Smithson’s “Spiral Jetty” from the air.

“Our Hidden Futures” is the overall theme for this year’s AB/MB film program. Over 50 films and videos will be screened on the giant projection wall outside of the New World Center (500 17th Street, South Beach), plus over 80 more can be accessed in the convention center film library. The Colony Theater (1040 Lincoln Road, Miami Beach) will be showing director James Crump’s Troublemakers: The Story of Land Art on Friday, December 4, 8:30 p.m., followed by a panel discussion with Crump and Basel film curator Marian Masone. The evening screenings in SoundScape Park include short films with program themes ranging from “Speak Easy” to “Vanishing Point.”

Rachel in the Garden (2003), by John Currin; © John Currin. Photography by Rob McKeever. Courtesy Gagosian Gallery

Jeffrey Deitch and Larry Gagosian are co-presenting an exhibition of figurative painting and sculpture in the Moore Building (3841 NE 2nd Avenue, Miami). The opening is on Tuesday, December 1st, but it will be on view all week. According to the NYT, artists featured in the group show will include Urs Fischer, Elizabeth Peyton, John Currin and David Salle.

Since 2005, the KABINETT sector of AB/MB has invited galleries to display curated installations. This year, there are 27 exhibitions including a new work by L.A. artist Glenn Kaino called “The Internationale” that re-interprets the iconic Pierrot character — and his “only friend,” the moon — interacting with visitors via “seminal texts on post-colonial theory.” Galerie Krinzinger will be showing Chris Burden’s “Deluxe Photo Book 1971 -1973,” documenting the first three years of his performances. And Galerie Lelong will present a selection of shaped, “erotic” canvases by the Puerto Rico-based artist Zilia Sanchez.

CONTEXT Art Miami, the sister fair to Art Miami, will feature 95 international galleries this year, along with several artist projects and installations including 12 listening stations dedicated to sound art; areas dedicated to art from Berlin and Korea; solo exhibitions by Jung San, Satoru Tamura, Mr. Herget and four others; and a “fast-track” portrait project of workers at Miami International Airport. Context and Art Miami — which is celebrating its 26th year — open with a VIP preview benefiting the Perez Art Museum Miami on Tuesday, December 1, 5:30 to 10 p.m., at 2901 NE 1st Avenue in Midtown, Miami. The fair is open to the public from December 2nd through the 6th.

“Coven Services” (2004) by Alex Bag

ICA Miami (4040 NE 2nd Avenue, Miami) presents a new theatrical performance called “Artist Theater Program” by Erika Vogt, Shannon Ebner and Dylan Mira on Thursday, December 3rd at 4 p.m. Ebner also has a concurrent show, “A Public Character,” on view in the museum during AB/MB and up until January 16, 2016. This is the inaugural program in the museum’s new performance series. Also opening on December 1st is a major survey of works by the video and performance artist Alex Bag, including her interactive installation “The Van.” The museum recently announced the appointment of Ellen Salpeter, Deputy Director of NYC’s Jewish Museum, as its new director and they’ve just broken ground on a new, permanent home in the Design District. The 37,500 -square-foot building was designed by the Spanish firm Aranguren & Gallegos Arquitectos and is scheduled to open in 2017.

Installation by Alan SonfistMiami’s “art hotel” The Sagamore (1671 Collins Avenue, South Beach) has a new installation by environmental/landscape sculptor Alan Sonfist on view all week, along with their incredible Cricket Taplin Collection of contemporary art. The hotel’s annual VIP brunch — featuring a new Electronic Arts Intermix installation — is on Saturday, December 5th, 8:30 a.m. to 1 p.m.

“Subway Station” by Louis Lozowick

The INK Miami Art Fair celebrates their 10th anniversary and maintains their exclusive focus on printmaking and works on paper. They’re back in the Suites of Dorchester (1850 Collins Avenue, South Beach) from Wednesday, December 2nd, through Sunday. Highlights include a lithograph by Louis Lozowick called Subway Station, NYC (1936) at Susan Teller Gallery’s booth and A World in a Box (2015) by Mark Dion published by Graphicstudio/U.S.F.

New York-based branding and event collective FAME is popping-up in Miami from December 2 to 6 with their ” Superfine! House of Art & Design” (8300 NE 2nd Avenue, Miami) in Little Haiti. They’re promising “the arty party of the year” with a big opening night December 2nd, 6 to 10 p.m, featuring a gigantic chandelier installation by Diego Montoya and music all week from Gilligan Moss, Lauv and more TBA. Plus, Afrobeta plays on Friday at a party hosted by PAPER fave, textile artist Karelle Levy.

The fourth edition of UNTITLED Miami is on the beach at Ocean Drive and 12th Street from December 2 to 6, with a big VIP preview on December 1st from 4 to 8 p.m. They’ve got 119 international galleries along with non-profit orgs from 20 countries. New this year will be an UNTITLED radio station broadcasting via local Wynwood Radio with interviews, performances and playlists by artists, curators etc.

Mega Guide to Art Basel Miami Beach 2015: Part 3

 

Things are really starting to come together at Argentine developer Alan Faena’s new residential and arts district between 32nd and 36th Streets on Collins Avenue. By the time AB/MB rolls around, the Faena Hotel Miami Beach should be up and running, and construction is now complete on the Foster + Partners residential tower. The Faena Forum (above), designed by OMA Rem Koolhaas, should be open in April 2016. For Basel Miami 2015, they’ve planned a series of cool events including: A roller-disco installation by assume vivid astro focus that will be open to the public daily on the beach and feature local and international DJs; a “theater curtain” installation called “A Site To Behold” by Spanish artist Almudena Lober that lets visitors play alternate roles of “actor” and “performer”; and a site-specific “sand and light” installation by Jim Denevan.

The Perez Art Museum Miami (aka PAMM) — designed by Pritzker Prize-winning architects Herzog & de Meuron — had it’s big debut in 2013 in downtown Miami’s Museum Park. On December 3rd, 2015, 9 p.m. to midnight, they’ll be premiering a collab performance by Devonte Hynes of Blood Orange and Ryan McNamara called “Dimensions” that includes elements of dance, music and sculpture. Also, during this open house for members and VIPs, you can check out their current exhibitions including Nari Ward’s “Sun Splashed,” Firelei Baez’ “Bloodlines,” and a show of Aboriginal Australian abstract painting.

Moishe Mana’s Mana Contemporary (318 NW 23rd Street, Miami) in Wynwood plans several exhibitions during AB/MB including “Made in California,” featuring selections from L.A. collector Frederick R. Weisman’s Art Foundation; “A Sense of Place,” with over 60 works from the collection of Jorge M. Perez; and “Everything You Are Not,” key works of Latin American art from the Tiroche DeLeon collection. All are up from December 3rd thru the 6th, with a VIP preview on December 1st. Mana Urban Arts is also doing a collab with The Bushwick Collective at the former RC Cola Plant (550 NW 24th Street, Miami) that includes over 50 artists — so far the list includes Ghost, GIZ, Pixel Pancho, Case Maclaim and Shok-1 — plus skateboarding, DJs, live music etc.

Lots of music events and parties are starting to come in, including a show with Jamie xx and Four Tet on Friday, December 4th, in the Black Room at Mana Wynwood (318 NW 23rd Street, Miami), presented by III Points and Young Turks. Tickets are available HERE. At the same venue, Life & Death records presents Tale of Us, Mind Against, Thugfucker and “special guest” Richie Hawtin on December 3rd. Tickets are HERE. We also hear that Danny Howells will be spinning at Do Not Sit On The Furniture (423 16th Street, Miami Beach) on Saturday, December 5th; and Marco Carola and Stacey Pullen are at Story (136 Collins Avenue, South Beach) on Saturday, December 5th.

Photo via

Two young London-based artists, Walter & Zoniel, will set up a large, hand-built camera in the Delano Hotel (1685 Collins Avenue, South Beach) from December 2nd to the 5th for a performance piece called “Alpha-Ation.” They’ll be creating exclusive, hand-colored portraits of “high-profile” figures all week and have already shot Lindsay Lohan and Tinie Tempah. The work is presented by the UK gallery Gazelli Art House. There’s also an invite-only reception with the artists at the Delano on Saturday night.

Hans Ulrich Obrist

AB/MB’s Conversations and Salon series brings together artists, curators, gallerists, historians, critics and collectors for 23 talks and panels all week. Jenny Holzer and Trevor Paglen kick things off on December 3rd, 10 to 11 a.m., in the Hall C auditorium. Other “conversations” include London’s Serpentine co-director Hans Ulrich Obrist on Friday morning and Genius Grant winner Nicole Eisenman on Sunday. In the Salon series, Obrist will also moderate a conversation between artist Alex Israel and author Bret Easton Ellis on “the evolution of the L.A. art scene.”

L.A. painter and installation artist Lisa Solberg will preview her latest project, “Mister Lee’s Shangri-La,” at Soho Beach House (4385 Collins Avenue, Miami Beach) on Saturday, December 5th. The work — “an immersive exotic dance club sheltered inside a greenhouse” — will then be on view at MAMA Gallery (1242 Palmetto Street, Los Angeles) in L.A. as of December 19th.

Photo by Julian Mackler/BFA.com

Adrien Brody isn’t just a great actor. He’ll be showing several of his paintings during AB/MB in a show called “Hot Dogs, Hamburgers and Handguns” at Lulu Laboratorium (173 NW 23rd Street, Miami) in Wynwood. The show was curated by Spanish-American artist Domingo Zapata and the big opening party starts at 10p.m. on December 2nd.

Calypso St. Barth Beach Boutique pops-up in the Soho Beach House (4385 Collins Avenue, Miami Beach) all week from 11 a.m. to 6 p.m. daily. They’ll also be hosting VIP events for artists including Jen Stark and Mira Dancy.

The National YoungArts Foundation‘s (2100 Biscayne Blvd., Miami) current show, “The Future Was Written,” features an interactive work by Daniel Arsham that asks visitors to use any of 2,000 chalk objects to draw on the gallery walls. On view until December 11th.

Chrome Hearts celebrates their new collaborators, Laduree and Sean Kelly Gallery, on December 2nd, 8 to 11 p.m., in the Chrome Hearts (4025 NE 2nd Avenue, Miami) shop in the Design District with a private, VIP party featuring works by Sean Kelly artists including Marina Abramovic, Los Carpinteros, Jose Davila, Robert Mapplethorpe and many more. Also there’s a special performance by Abstrakto and DJ set from Atlanta de Cadenet Taylor.

The MoMA Design Store and online skate deck site, The Skateroom, will open a pop-up in the Delano Hotel (1685 Collins Avenue, South Beach) from November 30th to December 6th. The “immersive installation” will sell limited-edition skateboard decks featuring Andy Warhol artworks including his Campbell’s Soup cans, Guns, Car Crash etc. A portion of the proceeds will go to Skateistan, a non-profit org that uses skateboarding to empower youth. The private VIP opening is December 2, 8 to 11 p.m.

Louis Vuitton (140 NE 39th Street, Miami) will be presenting “Objets Nomandes” — a new collection of foldable furniture and travel accessories — in their new store in the Design District during AB/MB, as of December 3rd. The pieces are collabs with international designers including the Campana Brothers, Maarten Baas and Nendo. You can also check out the world-exclusive unveiling of a lounge chair designed by Marcel Wanders.

ArtCenter/South Florida has an “off-site” installation called “D.O.A.” by the Israel-based artist Dina Shenhav over in Miami’s Little River District at 7252 NW Miami Court. Shenav will create a hunter’s cabin filled with “hunter” paraphernalia sculpted from yellow foam. Up from November 29th until the end of January.

Mega Guide to Art Basel Miami Beach 2015: Part 4

Gary Pini

One of our fave AB/MB sectors, PUBLIC, just announced this year’s list of 26 artists who’ll be doing site-specific installations and performances all week in Collins Park. Several caught our eye: a jemstone-encrusted “Healing Pavilion” enhanced with “metaphysical properties” by Sam Falls; a group of tall chairs from the original production Robert Wilson’s “Einstein on the Beach;” a giant set of red lips by Sterling Ruby; and a monumental deer lawn ornament by Tony Tasset. Opening night is Wednesday, December 2nd, 7 to 9 p.m., and it features a female tai chi master, male bodybuilders, men on skateboards, a dandy hobo and an evening performance by Yan Xing.

Tony Tasset, Deer, 2015Photo cred. Kavi GuptaSCOPE returns to South Beach from December 2 to 6 (VIPs get in on the 1st) with 120 exhibitors from 22 countries, plus several special sections including Juxtapoz Presents, the Breeder Program for new galleries and FEATURE, showcasing photography. For a fourth year, the fair collabs with VH1 on a music series featuring up-and-coming artists. There’s also an invite-only party with recording artists Mack Wilds and Lil’ Dicky on Friday night at Nikki Beach, sponsored by SCOPE, VH1 and BMI.

As usual, there are lots of cool things happening at The Standard Miami (40 Island Avenue, South Beach) during the week including: The Standard X The Posters launch of their collab poster by Miami-based artist Jim Drain to celebrate the hotel’s 10th anniversary (available in the hotel’s gift shop), a VIP-only cocktail party hosted by Andre Saraiva, a book signing with Cheryl Dunn for her “Festivals Are Good,” a “chopped art” party with the Bruce High Quality Foundation and, of course, there’s the annual Lazy Sunday BBQ hosted this year by Creative Time on December 6th.

The design team of George Yabu & Glenn Pushelberg return to the BASEMENT nightclub in the Miami Beach EDITION Hotel (2901 Collins Avenue, Miami Beach) for an invite-only party with London’s Horse Meat Disco crew and special guest Giorgio Moroder on Thursday, December 3rd. They’re also hosting a private luncheon in the hotel’s Matador Room on Friday and launching a biannual “bookazine” called YP: Transformation, with the first issue available exclusively in the EDITION Hotel during AB/MB.

The EDITION also hosts pop-up exhibitions by NYC galleries in two of their fab bungalows: Half Gallery and HarperCollins Publishers will feature paintings by Daniel Heidkamp, an installation by Tom Sachs and book signings by Justin Adian, Sylvie Fleury and Sue Williamson; Salon 94 will have an installation by Jeremy Couillard.

JJeremy Couillard, Bowery Video Wall, 2014PULSE Miami Beach (4601 Collins Avenue, Indian Beach Park) just announced their 2015 series of special projects including: a neon installation by Texas artists Alicia Eggert and Mike Fleming, a sculpture called “Trees” by Gordon Holden, a faux apartment building by Chris Jones, “Over and Under” by Francis Trombly and a small architectural piece inspired by Corbusier by New York artist Jim Osman. The fair’s PLAY section for video and new media will be curated by Stacy Engman.

Francis Trombly, Over and Under, 2015Bortolami Gallery is opening a year-long exhibition called “Miami” by the French conceptual artist Daniel Buren on December 1st in the M Building (194 NW 30th Street, Miami). The show marks the 50th anniversary of his works with fabric and the 8.7 cm stripe. By periodically installing new works, Buren will also alter the exhibition during the year.

Daniel BurenSpanish luxury fashion house LOEWE (110 NE 39th Street, Miami) opens a group show called “Close Encounters” on Wednesday, December 2nd, 6:30 to 9 p.m. The artists are Anthea Hamilton, Paul Nash, Lucie Rie and Rose Wylie; and the hosts for the evening are Jonathan Anderson, creative director of Loewe, with Don and Mira Rubell. Invite only.


Anthea Hamilton, Dance, 2012

Previewing their upcoming South Beach studio, SoulCycle will pop-up poolside at the 1 Hotel (2341 Collins Avenue, South Beach) starting on Tuesday, December 1st. They plan to open permanently in the hotel in January 2016.

Absolut Elyx, Sean Kelly Gallery, Paddle8 and Water For People celebrate WATER, “the most important drink in the world,” with a private charity auction and party at the Delano Hotel (1685 Collins Avenue, South Beach) on Thursday, December 3rd, 7 to 10 p.m. Look for a live performance by the Swedish singer Elliphant and a DJ set by Jasmine Solano.

ElliphantPhoto Cred. Corey OlsenRicardo Barroso and Eva Longoria celebrate the launch of “Ricardo Barroso Interiors” at Casa Tua (1700 James Avenue, South Beach) on December 3rd. The book includes 240 color photographs of his past and present work, with an accompanying text by Barroso and Fionn Petch and a foreword by Longoria. Invite only.

Ricardo BarrosoMolteni (4100 NE 2nd Avenue, Miami) celebrates their 80th anniversary on December 3rd, 7 to 10 p.m., with a VIP soiree featuring “Amare Gio Ponti,” the first film about the legendary Italian architect and designer.

https://player.vimeo.com/video/142146817
Libertine, one of the new clubs in downtown Miami’s 24-hour party district, hosts a release party for Nakid Magazine‘s latest issue and their cover artist Jen Stark on Friday night, December 4th. Stark recently collab’ed with Miley Cyrus on MTV’s VMA Awards and has a new installation at Miami International Airport.

Jen StarkCorona brings their “Electric Beach” to the Clevelander Hotel (1020 Ocean Drive, South Beach) on December 5th, 3 to 8 p.m., with a live performance by Chilean artist DASIC, and tons of music from Craze, Astronomar, Ape Drums and TJ Mizell.

DasicBrown Jordan and Sunbrella are getting together to showcase photographs by Gray Malin at a sneak-peek preview of Brown Jordan’s new store in the Design District. The invite-only opening is on Thursday, and the store should be open at the beginning of the new year. Some of the photos from the show will be on view there permanently and others are from Malin’s personal collection.

Gray Milan, A La Plage, 2012The Surf Lodge pops-up all week at The Hall South Beach Hotel (1500 Collins Avenue, South Beach) with a series of invite-only artist dinners, events and performances.

Johnson Road Projects presents Los Angeles-based artist Vincent Johnson’s dazzling color photographs shot in Los Angeles and Detroit + essay

Johnson Road Projects Summer 2015 Exhibition: A Selection of Vincent Johnson’s Color Photography 2001-2015

Johnson Road Projects presents Los Angeles-based artist Vincent Johnson’s dazzling color photographs shot in Los Angeles and Detroit. The artist has lived in LA for several years and most recently gone to Detroit on three photography trips to capture remarkable and startling images of Detroit in transformation.

 DSC05981 copy 1

Neon Chain
Neon Chain

The Deville

Color TV by RCA - Los Angeles
Color TV by RCA – Los Angeles
Ritz Motel - Air Conditioned Rooms
Ritz Motel – Air Conditioned Rooms

V

Permanently Parked Ford Mercury - Detroit
Permanently Parked Ford Mercury – Detroit
Detroit Tire and Bush House.72dpi
Tire and House – Detroit
Mister Softie Truck Detroit.72dpi
Mister Softee Truck Detroit

Vincent Johnson’s Artist statement from 2005 on Photography:

My artistic practice is currently concerned with the production of an archive of digital photographic images of the remains of Los Angeles’ and Southern California’s vernacular architecture after the inception of the motel in the 1920’s through intriguing phase that delivered the fantasy of neon noir architecture of the 1940’s and 1950’s. Since the majority of this form of architectural history are in forlorn and neglected avenues of Los Angeles and beyond, I do not consider the project to be a form of cultural tourism, but an authentic investigation and concern that gives rise to a cultural document as history. On occasion I will also produce a photograph that documents the relationship between the 1950’s through the 1970’s car culture and California private residences.

I work in Los Angeles, which has an exceptional amount of interesting architectural artifacts from the First World War period onwards. Many portions of the Los Angeles that I depict come into existence when New York was attempting to wrest the thorn crown of painting from Paris and succeeded. In the course of producing my photographic archive, I have employed strategies of production such as those used by the flaneur and the derive, in day and at night, by car and on foot, primarily in a stark and challenging urban territory, the Anti-City that is Los Angeles. Similarly, I have also allowed myself to merely wander through this world as the American artist that I am, and fall into pictures and spaces that call for documentation.

It is my experience that driving a car in Los Angeles and seeing the world through its windows is a complex real-time cinematic event. There is a temporary encounter and an enduring intimacy through memory via the photographed subject – this produces the photograph, as versus a sustained relationship with a single but ever-changing street scene. Through auto travel one is given the privileged observer position of moving through the world as a real-time unedited film, a cinema-state; to take a number of photographs of it afterwards. Often, when I drive I look about and “remember” key images, photographs of urban sites from the mid-century and earlier that I will take pictures of in the future.

Despite the relative youth of Los Angeles cultural architectural properties from the mid-20th century and earlier, they are constantly vanishing from the physical landscape of the state, as the dead architecture and their signs are either demolished or their elegant features are almost erased. Part of my project is documentary in the recognition of this reality. At certain times and places in Southern California, merely by driving about, one can gain a very strong sense of the lifestyles of Los Angeles’ remarkable architectural past, in reinvented forms of openness to new possibilities, without external pressure, to fulfill the promise of the future.

Vincent Johnson

Lake Balboa, California
4.12.05

Vincent Johnson Los Angeles Photographs

Booker’s Del Hi

Ritz Motel in Living Color

Car and leaves

Hollywood station wagon

Neon Vacancy

Poet’s House

Studio Self Storage

The Five Signs of Deano’s

Circus Liquor Parking Lot

Air-Conditioned Motel

Stein on Vine

Beach City Chevrolet

Southern Gents Club

Furst Motel

Furst Motel

Santa Monica, 2005

This is one of my personal all-time favorite photos, which I took in Santa Monica one morning a while back.

What I love about it is that it captures the concrete reality and the ephemeral at once. It shows an image of California that one can actually experience here when driving, which is that the road in front of you has disappeared or ends abruptly.  It also recalls the theme of solid and air, density and atmospheric. All of the man-made signs, street markings and street signs, street lamps, speak of an effort to create the possibility of order. The rising, undulating street appears to possibly be a bridge rising to allow ships to pass underneath it. Yet the movement is illusory. Life is both real and a dream.

Private home, Pasadena, California, 2005g 

In the year 2001 I returned to my project that began in 1995, of photographing Los Angeles, without concern to subject. I would merely take pictures of any and everything I found visually intriguing. Between 1995 and 2007 I would take over 25,000 photographs in the Los Angeles region. I began to categorize the works over time, and then to focus on particular areas, such as Los Angeles vernacular architecture, and photographing LA at night.

I am currently going through my archive. I’ll post more photographs as time allows.

City park, Santa Monica, California, 2005

Parked Cadillac, Los Angeles, 2005

Under the Hollywood Downtowner neon sign, Hollywood, California, 2005

Adventurer motel, near LAX Airport, Los Angeles, 2005

Royal Roost, named after the legendary jazz club in NYC, South Central Los Angeles, 2005

Bitter Redhead bar, Santa Monica, California, 2005

Liquor store, San Fernando Valley, California, 2005

Valley Ho Liquor store, Van Nuys, California

Strip club billboard sign, Van Nuys

Automotive parts store, Van Nuys

Drapery store, San Fernando Valley

Jolly Jug liquor store, North Hollywood

Roofstack, South Central Los Angeles

Motel Tangiers, San Fernando Valley

Market Sign from 1950’s Los Angeles, San Fernando Valley

Streetlamp, MacArthur Park, Los Angeles

Parked black Two-tone Thunderbird, Van Nuys

Mansfield Motel and Movie Billboard, Los Angeles

 

Paris Photo Fair Los Angeles 2014: Reviews and Photographs

 

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photographs taken by Vincent Galen Johnson from 1999-2007 in Los Angeles and Southern California. Many of these works are in private collections in LA, Miami and New York.

The second edition of the Paris Photo was phenomenal. Gorgeous photography and Beautiful People. Paramount Studios is the ideal local for this tremendous affair. Cannot wait for FIAC! Paris to arrive in LA in 2015.

Vincent Galen Johnson (painter, photographer, writer)

MFA Art Center College of Design 1997

Vincent Galen Johnson

NOW FOR THE COVERAGE OF PARIS PHOTO FAIR LOS ANGELES 2014

Viviane Sassen, Almando blue, 2013. Photos courtesy of Paris Photo Collier Schorr, 8 Women Ryan McGinley, Roundup (Wide Sky), 2014 Danny Lyon, Memorial Day Run, Milwaukee, 1966 Guy Bourdin, Pentax Calendar, 1980   A bank robbery demand note from the LAPD archives Female assult victim from the LAPD archives Julien Frydman at Paris Photo Los Angeles at Paramount Pictures Studios. Photo by Randall Michelson/rmpix.com

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PHAIDON

LAPD opens its archives for Paris Photo

Most famous police department on earth gets its mug shot in the second edition of Paris Photo Los Angeles

Bank robbery note, 1965. © LAPD, Image courtesy of Fototeka
Bank robbery note, 1965. © LAPD, Image courtesy of Fototeka

This year, one of Paris Photo Los Angeles‘ most impressive exhibitions features works by unknown, local photographers. Yet, while you might not have heard of them, you will almost certainly know of their famous, some might say infamous, employer.

 

 

Onion field reenactment, 1963 © LAPD, Image courtesy of Fototeka
Onion field reenactment, 1963 © LAPD, Image courtesy of Fototeka

 

For the second LA edition of the famous European photo fair, Paris Photo will host Unedited! The LAPD Photo Archive. This is a public exhibition of 50 works from the Los Angeles Police Department’s archives. Indeed, Unedited! is the first in what Paris Photo hopes will be a regular new inclusion, featuring unedited or rarely seen photographic material.

 

 

Victim’s feet hanging off bed, 1934 © LAPD, Image courtesy of Fototeka
Victim’s feet hanging off bed, 1934 © LAPD, Image courtesy of Fototeka

 

The LAPD pictures date from the 1930s through to the 1960s and vary from forensic shots of bank robbery notes, much like the ones that inspired Ed Ruscha’s stick-up pictures, through to morgue shots, crime-scene images and crime re-enactment stills. Many are uncredited, and when there is a credit it is often only partial, consisting of a first name or initials. Nevertheless, this apparently impartial collection of images, much like the recent Southern Californian Edison Archive exhibition, evokes as much a certain time and place as do many fine-art photography shows.

 

 

Morgue, man with floral tattoo, 1945 © LAPD, Image courtesy of Fototeka
Morgue, man with floral tattoo, 1945 © LAPD, Image courtesy of Fototeka

 

Of course, there’s plenty of more formally organised programming too, including the show’s talks series, Sound and Vision – The Conversations, featuring appearances from Phaidon artists Jeff Wall and Stephen Shore, among others, as well as a film screenings, and all the usual booth displays from well-established names in photography, such as Aperture, as well as fine-art galleries, like the Gagosian.

 

 

Detail of two bullet holes in car window, 1942 ©LAPD /Image courtesy of fototeka
Detail of two bullet holes in car window, 1942 ©LAPD /Image courtesy of fototeka

 

For more on this year’s event, to be held at Paramount Picture Studios 25-27 April, go here, and for more on the trends in contemporary photography, we urge you to pre-order our great new book, Photography Today.

THE INDEPENDENT LONDON

The October Paintings

The October Paintings – A Painting Project by Vincent Galen Johnson in Los Angeles

his is the second painting in this suite that is finished with a white paint layer and wash. There were 2 applications with scraping by painting knife and then a sharper blade. The painting is one of the most aggressively worked surfaces in the collection.

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The October Paintings,

These 4×4 foot paintings are my continued experiment in the medium of painting. I intend for each work of art to be unique in its making. Different paint, mediums, brushes, rags – wet with paint, dry with paint, wet with mediums, dry rags and my own hands are used to create the works. Each of the fully completed works is allowed to dry for several weeks before it is then compared to the others in the suite to decide if more work needs to be done to the picture to my satisfaction. Paint is layered and overlaid and allowed to dry, sometimes later scraped away and repainted with or without medium. There are also several small-scale works under production that are sometimes employed as test devices for the larger works. The project is a follow-up to my Cosmos Suite of paintings, which are also still underway. Each so far is 30×40 inches or 20×24 inches. You can search for the Cosmos Suite on my blog to see the works.

This is the first painting in The October Paintings suite to employ layers of titanium zinc white as an overlay to the potent colors beneath. The work has performs as a collision of forms and colors recede and thrust forward to the painting surface.

This particular post is done in light of the incredible excitement happening in the LA artworld in this year of 2014. Several major announcements have been made of world-class international and major galleries expanding to Los Angeles, including Spruth Magers, Hauser & Wirth, Maccarone, Tanya Bonadkar, Gavlak. Other LA galleries are expanding into warehouse sized spaces including Kordansky, Various Small Fires and LA Louvre. The Mistake Room is a major new kunsthalle in Los Angeles that will focus on art not from the West. There is new gallery activity in Leimert Park, with the opening of Papillion and soon an exhibition space by Mark Bradford. Recently FIAC announced plans to expand to LA in 2015. There has never been a year in LA’s art history where so many major new venues were announced or soon forthcoming, including the Marciano Foundation for Contemporary Art and the Broad museum in downtown Los Angeles. What is happening today is light years away from the hole-in-the-wall and apartment gallery scene of the 1990′s LA artworld. I cannot lie and say that this new energy has not helped to push my practice of painting even further along that it was even 2 years ago. It is something that I am determined to be successful at – which is to produce a vast body of paintings in which my reputation as an artist will be made.

thanks

Vincent Galen Johnson

Los Angeles

 

 

Untitled The October Paintings work #1: This work explores relations in color and light and experiments with layering down painting medium and then pushing paint directly into the medium. It is created with rags and both dry and paint soaked rags and loaded brushes. The effect is atmospheric and evocative of landscape painting.

Untitled The October Paintings work #1: This work explores relations in color and light and experiments with layering down painting medium and then pushing paint directly into the medium. It is created with rags and both dry and paint soaked rags and loaded brushes. The effect is atmospheric and evocative of landscape painting.

Untitled The October Paintings work #2: This work is created by scraping away layers of paint and applying paint with fine brushwork in certain areas. It is an abstract work that plays upon the body of abstract paintings of mythical vistas by Cy Twombly that I saw at the Menil Collection.

Untitled The October Paintings work #2: This work is created by scraping away layers of paint and applying paint with fine brushwork in certain areas. It is an abstract work that plays upon the body of abstract paintings of mythical vistas by Cy Twombly that I saw at the Menil Collection.

Untitled The October Paintings work #3: This work is is rendered impressing large areas of paint and medium into the canvas and using a painting knife to mis and redistribute the paint across the entire canvas surface. The effect is that the represented non-objective field appears to be disintegrating. Nothing appears fixed; the substrate areas seem to desire to advance to the foreground.

Untitled The October Paintings work #3: This work is is rendered impressing large areas of paint and medium into the canvas and using a painting knife to mis and redistribute the paint across the entire canvas surface. The effect is that the represented non-objective field appears to be disintegrating. Nothing appears fixed; the substrate areas seem to desire to advance to the foreground.

Untitled The October Paintings work #4: This work is about eliminates spacial depth and is another which I see a bit of Twomby's influence. The surface is heavily worked with brushes and rags, incidents of local color effectively distinguish themselves in the overall pictorial view. Its quite the opposite of the other works created in this series.

Untitled The October Paintings work #4: This work is about eliminates spacial depth and is another which I see a bit of Twomby’s influence. The surface is heavily worked with brushes and rags, incidents of local color effectively distinguish themselves in the overall pictorial view. Its quite the opposite of the other works created in this series.

Untitled The October Paintings work #5: This work segregates then enfolds layers of color with a painting knife and while releasing undercurrents of highlight colors from underneath its darkness. There is a structural integrity in the picture that allows the underneath to become visible while the overall representation is boldly dark.

Untitled The October Paintings work #5: This work segregates then enfolds layers of color with a painting knife and while releasing undercurrents of highlight colors from underneath its darkness. There is a structural integrity in the picture that allows the underneath to become visible while the overall representation is boldly dark.

Untitled The October Paintings work #6: This work represents a slow moving live red universe. It is as if a small sample of the sun were re-presented as a photographed object using paint. The overall red-orange color dominates yet color elements create the full picture.

Untitled The October Paintings work #6: This work represents a slow moving live red universe. It is as if a small sample of the sun were re-presented as a photographed object using paint. The overall red-orange color dominates yet color elements create the full picture.

Untitled The October Paintings work #7: This work adapts a more local distribution strategy in terms of paint by using loaded rags. It also confirms my interest in representing objects in formation. This is a magical forrest of color and light.

Untitled The October Paintings work #7: This work adapts a more local distribution strategy in terms of paint by using loaded rags. It also confirms my interest in representing objects in formation. This is a magical forrest of color and light.

Untitled The October Paintings work #8: This work is created by mixing wide bands of color with a painting knife, then adding a smoky middle area. The upper bands transform their colors as they move to the lower portion of the canvas. The look is that of a forrest of color.

Untitled The October Paintings work #8: This work is created by mixing wide bands of color with a painting knife, then adding a smoky middle area. The upper bands transform their colors as they move to the lower portion of the canvas. The look is that of a forrest of color.

Untitled The October Paintings work #9: This work uses a bold light blue exception recovered from the scraped away layers of paint as its centering visual anchor. Provocative and delicate colors float in the pictorial window.

Untitled The October Paintings work #9: This work uses a bold light blue exception recovered from the scraped away layers of paint as its centering visual anchor. Provocative and delicate colors float in the pictorial window.

Untitled The October Paintings work #10: This work is a dense black-green pictorial field with aspects and elements of builds of local color and white paint touches. The work appears to have both depth and a fixed surface.

Untitled The October Paintings work #10: This work is a dense black-green pictorial field with aspects and elements of builds of local color and white paint touches. The work appears to have both depth and a fixed surface.

Untitled The October Paintings work #11: This is  my gold paint picture. In it are aspects of long held influences from Japanese art. The small objects appear to be strange orbs comprised of one or two colors beyond the gold body each inhabits.

Untitled The October Paintings work #11: This is my gold paint picture. In it are aspects of long held influences from Japanese art. The small objects appear to be strange orbs comprised of one or two colors beyond the gold body each inhabits.

October Painting 1 and 2, Los Angeles, California by Vincent Johnson

The October Painting 1 and 2, underpainting stage,  Los Angeles, California by Vincent Johnson

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First stage of blue (Payne’s Grey) underpainting.

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The most recently completed work in The October Paintings suite. This particular work was painted over completely in three different directions, plus a ghostly layer in between was added. I was listening to an audiotape on German art history while making the work. This painting challenged me over and again against earlier selves. I continued to add additional layers and work the canvas, forcing it to meld and produce astonishing bands of color. Yet I did not want it to be like or look like the previous work I had just made. I don’t know if I should be making notes on how each work differs from the next; I guess I’m counting my memory of making each one and looking into each work to see where and how they vary in conception, production, style, layering. brushstroke, rag work.

Its still cool in the morning, dew on the grass. The sun is slow to rise before it spreads its wonderful light over my back yard studio.

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The October Paintings - numbers 3 and 4

The October Paintings – numbers 3 and 4 – The October Paintings (a new paintings project by Los Angeles based artist Vincent Johnson) – the paintings are at the underpainting stage. They will be allowed to dry in my studio and then a layer of white glaze will be added. That will dry. Then I will work on each work, layer by layer, allowing each layer to dry, or be worked or added to as I desire. Our car Roxy is in the background, her back arched as she defies a mushroom to move.

October Paintings 3 and 4 - three of three

The October Paintings (a new paintings project by Los Angeles based artist Vincent Johnson) – paintings 3 and 4. Taking advantage of the fabulous weather in LA.

October Paintings 3 and 4 - two of three

The October Paintings – paintings 1 and 2 (a new paintings project by Los Angeles based artist Vincent Johnson) – with our cat Roxy playing in the back yard.

October Paintings 5 and 6, underpainted on October 31, 2013. Van Nuys, CA

October Paintings 5 and 6, underpainting – layer one – October 31, 2013. Van Nuys, CA

October Paintings 5 and 6.on 11.01.13 no .3 October Paintings 5 and 6.on 11.01.13

The October Paintings, 2013, under painting layers, Los Angeles, California, by Vincent Johnson

The October Paintings, 2013, paintings one and two, under painting layers, Los Angeles, California, by Vincent Johnson

The October Paintings (a new paintings project by Los Angeles based artist Vincent Johnson)

The October Paintings – paintings one and two (a new paintings project by Los Angeles based artist Vincent Johnson)

Welcome to the Post Conceptual Artist Paintings of Vincent Galen Johnson in Los Angeles.

I am painting in my back yard studio that is about 3,000 square feet. It has a concrete patio where I work and three concrete block walls where I can lay my work on  and look at recently made work while creating new paintings.

The October Paintings are comprised of nine 4×4 foot oil on canvas paintings. These are the largest canvases I’ve worked on since my return to painting after two decades of working with photography. I was trained as a representational painter at Pratt Institute and at the School of the Art Institute of Chicago. My graduate degree is in critical theory and painting from Art Center College of Design in Pasadena. The works are a continuation of my exploration of the history of art materials, combined with using the layering techniques of representation to create singular new abstractions. This is my first time working on several large-scale canvases at once. What I’ve noticed over the years is that every significant work I’ve made eventually finds its way into the world, often through unanticipated opportunity.  The works are visceral, visually rich, emotively engaging. They follow the six large-scale paintings in the COSMOS SUITE that is also ongoing and was started in 2012, and the NINE GRAYSCALE PAINTINGS in LOS ANGELES that I completed in 2011. In my work I have always sought to reach for and produce imagery that lends itself to a serious consideration of the ideas that come to the mind when approaching the image. For me these works seek to substantiate themselves in the world, to be both evocative and provocative, beautiful and remarkable in both concept and realization. As these works are fully developed I will continue to record the journey am taken on with them, until they are complete.

OCTOBER PAINTING - Scumble glazing, second phase of the paintings.

OCTOBER PAINTING – Scumble glazing, second phase of the paintings.

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October Paintings – scumble glazed and drying in studio.

During the scumble glazing layer of the painting, where I knock down the underpainting colors so that the next layers can deliver a fabulous punch, I thought about the magnificient, enormous paintings I saw this summer at the Menil Collection in Houston, by Cy Twombly and Mark Rothko. The high seriousness of Rothko’s chapel paintings was amazing. Yet on that day it would be my discovery of the excellence of Cy Twombly as a painter of the primordial and playful sublime that captivated my attention in his purpose built stand alone large gallery space that showcased his work far beyond the circular swirls I know but care nothing for at all. It seems that when Twombly switched to specific subject matter – whether it be abstract landscape paintings, where he had simply marvelous deep rich green works, or his overall giant abstractions, filled with playful and powerful singular and exciting moments, both satisfied in wonderful ways. I was fortunate to make two trips to Houston this summer. The Late Byzantine to Today was a marvel to behold; I also had no idea that the Menil is a world class repository of Surrealist art. I was also privileged to see the James Turrell retrospective at the MFA Houston, which itself will be expanding soon with a major new building devoted to modern and contemporary art. The Menil Collection itself will be adding seven new individual artist showcase galleries, which combined with their traveling shows will make Houston as important a center for seeing art as anywhere in the US outside of New York. I am looking at the nine 4×4 foot October paintings in my studio. Its the largest body of work I have ever produced as a painter. I can see so many possibilities in this new direction. It gives me reason to continue to push to get my work into the world, despite all of the difficulties I have experienced. Painting makes me see beyond my own being.

Vincent Johnson

Los Angeles, CA

Vincent Galen Johnson new paintings - outdoor studio Los Angeles - 1

Vincent Galen Johnson – The October Paintings – outdoor studio Los Angeles

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Just added this final layer of paint to this painting. Now its ready. by Vincent Johnson 2014

The October Paintings in Los Angeles, 2014, painted and written by Los Angeles based painter and writer Vincent Galen Johnson.

My journey into painting has never ended, only paused during the many years my primary artistic practice moved from painting to writing, then to photography and writing. I’ve never stopped looking at painting. I went to London over the Thanksgiving holiday in 2011 to see the Gerhard Richter retrospective. It was strange to see a photorealist painter realize the power of paint being managed through sheer process and to create astonishing images of such subtle yet shocking beauty. While in London I took in a full day visit to the National Gallery, where I was swept away by such a superb landscape painting by Constable. I felt as if I were seeing an apparition as the leafy structure that represented part of a tree seemed to extend from the canvas into the gallery space. I also recall seeing Sigmar Polke, Anselm Kiefer, Eric Fischl and David Salle ‘s paintings from the 1980’s from those magnificent shows on West Broadway in Soho. Of late I’ve become a fan of Beatriz Milhaze, Nicole Eisenman, Henry Taylor, and have for years followed the work of Kerry James Marshall. Now I feel I need to feed my mind on as many superior painted pictures as I can devour.

Anselm Kiefer painting show in Antwerp

Gerhart Richter painting

This is the third year since I began painting again after two decades of making photographic works and writing in Los Angeles. Paint is a remarkable material in which to work. It offers seemingly an infinite number of ways of working the canvas, from application to scraping off even week old paint, to rubbing and applying several more layers with brushes, rags, and painting knives. It took me a while to allow myself to work abstractly. I still have about five unfinished paintings that I started in 2005 based on architectural vistas from my imagination, and they remain in my art storage, and one is in my studio, still unfinished. So its not totally true that I first started painting again in 2011; it was actually in 2005, but I gave up after a couple of months and put those canvases away for a future time. Its the sheer malleability of paint that drives me to work with it today, and its film-like capacity to be overlaid and yet see what’s underneath that enthralls. So far each of my paintings is abstract yet I continue to study the history of materials of artists as well as making my own multiple experiments on each new canvas. Some of my works have as many as a dozen layers and overlays of paint. Each one seems to inform the other as to the next possible direction to start in and then to build up to in terms of sheer quality of paint handling, image power,  and fulfillment of the mind through the eyes. Its a richly rewarding feeling to be making this new work after so many years, and to see where I had left off as a painter two decades ago. And then to see where I’ve come along since that time, using all of the tools and skills learned in Brooklyn and Chicago many years ago in school.

A painting by Nicole Eisenman
A painting by LA painter Henry Taylor.
A suite of paintings by Sigmar Polke

Painting outdoors in the California sun has been a revelation. I can allow my paintings to dry in the sun. Then store them at night in my art storage. Then bring them out again to look at in the proud light of the morning, and sit and walk among them, and think about what is the next step for each of those that are yet to be complete. Having the sky as my ceiling has been amazing, and having so much space in which to operate has unleashed so many great ideas about the direction to take my work, as I can sit the paintings in my outdoor studio and relish them in the warmth of a February day in Southern California. Next I’ll be working on a few dozen much smaller canvases, then returning to the larger 4 by 4 foot canvases. This post has been my afternoon break to record where I am with my new work.

It makes me happy to be painting again, in California.

Vincent Galen Johnson

Los Angeles

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The October Paintings by Vincent Galen Johnson in Los Angeles, March 2014

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This painting was layered with paint over several days, then scraped out with the excess paint allowed to dangle from the area of the canvas where it had been cut away. The painting now has a sculptural element of pure paint hanging from its several lawyers beneath.

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The painting on the far right was transformed with gold, blue and grey paint this evening. See the final above.

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This canvas was handled completely differently from most of the others and has a final overlay of paint that creates the image of a colorful chalk board.

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A thick impasto of dazzling color was spread with a painting knife across the canvas. in waves, in this painting.

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The painting to the left reminds me of photos of sunbursts.

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My outdoor painting studio.

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My painting studio set up.

Vincent Johnson: CV
Vincent Johnson received his MFA in Fine Art Painting from Art Center College of Design in Pasadena, California 1997 and his BFA in Painting from the School of the Art Institute of Chicago in 1986. He is a 2005 Creative Capital Grantee, and was selected for the New Museum of Contemporary Arts Aldrich Art Award in 2007 and for the Art Matters grant in 2008, and in 2009 for the Foundation for Contemporary Art Fellowship, Los Angeles. In 2010 he was named a United States Artists project artist. His work has been reviewed in ArtForum, The New York Times and the Los Angeles Times, Art in America and Art Slant, and in over fifty different publications in total. His works were shown in the inaugural Pulse Fair Los Angeles. He has shown recently at Soho House (curated by ForYourArt, Los Angeles) and at Palihouse (curated by Los Angeles Nomadic Division), West Hollywood, and most recently at Another Year in LA gallery, West Hollywood. Johnson’s work has appeared in numerous venues, including The Studio Museum in Harlem (Freestyle (2001, The Philosophy of Time Travel, 2007, and The Bearden Project, 2011-2012); PS1 Museum, New York; the SK Stiftung, Cologne; Santa Monica Museum of Art, LAXART; Las Cienegas Projects, Los Angeles; Boston University Art Museum; Kellogg Museum, Cal Poly Pomona; Adamski gallery of Contemporary Art, Aachen; Lemonsky Projects, Miami. Johnson’s work has been published in a dozen exhibition catalogs. His work was exhibited in the inaugural Open Project exhibition at the Palace of the Inquisition, Evora, Portugal, July – October, 2013 and at Another Year in LA gallery, West Hollywood.

Vincent Johnson lives and works in Los Angeles, California. He is a work member of THE WINTER OFFICE, Copenhagen. THE WINTER OFFICE upholds a creative strategy concerned with defining an intersection between art, architecture and design.

Vincent Johnson: CV

Vincent Johnson received his MFA in Fine Art Painting from Art Center College of Design in Pasadena, California 1997 and his BFA in Painting from the School of the Art Institute of Chicago in 1986. He is a 2005 Creative Capital Grantee, and was selected for the Baum: An Emerging American Photographer’s Award in 2004 and for the New Museum of Contemporary Arts Aldrich Art Award in 2007 and for the Art Matters grant in 2008, and in 2009 for the Foundation for Contemporary Art Fellowship, Los Angeles. In 2010 he was named a United States Artists project artist. His work has been reviewed in ArtForum, The New York Times and the Los Angeles Times, Art in America and Art Slant, and in over fifty differen publications in total. His photographic works were shown in the inaugural Pulse Fair Los Angeles. He has shown recently at Soho House (curated by ForYourArt, Los Angeles) and at Palihouse (curated by Los Angeles Nomadic Division), West Hollywood, and most recently in Photography 2013 at Another Year in LA gallery, West Hollywood. Johnson’s work has appeared in numerous venues, including The Studio Museum in Harlem (Freestyle (2001, The Philosophy of Time Travel, 2007, and The Bearden Project, 2011-2012), PS1 Museum, SK Stiftung, Cologne; Santa Monica Museum of Art, LAXART, Las Cienegas Projects; Boston University Art Museum; Kellogg Museum, Cal Poly Pomona; Adamski gallery of Contemporary Art, Aachen; Lemonsky Projects, Miami. His work has been published in over a dozen exhibition catalogs. He is currently working on a series of self published photography books that will focus on the U.S. cities of Los Angeles, San Francisco, Cleveland, Ohio, Miami, Florida and New Orleans. Johnson is also creating abstract paintings for his Cosmos Suite, that explores the practice of painting with the knowledge of historical painting practices. He is using the techniques of representation to create remarkable works of abstract art. At Beacon Arts Center, Los Angeles, he recently exhibited an entire suite of grayscale paintings. In the Spring of 2013, he exhibited a series of edgy photographic works at Another Year in LA gallery, West Hollywood, California. His work will be exhibited in the inaugural Open Project exhibition at the Palace of the Inquisition, Evora, Portugal, opening July 15, 2013.

Vincent Johnson lives and works in Los Angeles, California.

vincentjohnsonart@gmail.com

http://www.vincentjohnsonart.com

New Abstract Paintings: The Cosmos Suite 2012-2013

Hello

This is Vincent Johnson in Los Angeles.

Here are three new paintings are added to my Cosmos Suite of paintings 2.24.2013. These are the 7th, 8th and 9th paintings created in the Cosmos Suite. They are also the 4th, 5th and 6th large scale paintings in this body of work.

These Cosmos Suite paintings are created using various experiments in media and paint application. Johnson has done substantial research into the area of the history of painting materials and there use, and employs this knowledge in the production of his work.

There are now a total of nine paintings in the Cosmos Suite. Six of the nine paintings are thirty by forty inches in size. Three of the paintings – the originals in the suite, are twenty by twenty four inches in size. Each painting takes about a month to create as there is a three week drying time between the first and second layers of the painting. As the suite grows there will be additional sizes including larger works.

1A.artcat

Cosmos Suite: A Meeting Between Two Figures in Space

30×40 inches, oil on canvas by Vincent Johnson in Los Angeles (2013)

Poured Liquin in center of painting, added stripes of pure paint color to canvas, mixed with paint rags, dabbed till thick paint areas are leveled out.

Large areas of vertical yellow in painting. Layered canvas in thick paint in certain areas. Reminds me of seeing Gerhard Richter’s painting retrospective in London in the fall of 2011.

6A.artcat

Cosmos Suite: State and Grace

30×40 inches, oil on canvas by Vincent Johnson in Los Angeles

Used sponges on face of painting. Layered canvas in thick paint.

Poured Liquin in center of painting, added stripes of pure paint color to canvas, mixed with paint rags, dabbed till thick paint areas are leveled out.
Reminds me of Florida’s mysterious beauty

Shape is of Florida in part

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Cosmos Suite: State and Grace – final – complete 2.25.2013

30×40 inches, oil on canvas by Vincent Johnson in Los Angeles (2013)

5B.artcat

Cosmos Suite: State and Grace – final – complete 2.25.2013

30×40 inches, oil on canvas by Vincent Johnson in Los Angeles (2013)

2A.artcat

 Cosmos Suite: Astral Melodies
30×40 inches, oil on canvas by Vincent Johnson in Los Angeles (2013)

used sponges on side and surface of the painting. used large brushwork. Layered canvas in paint.

Poured Liquin in between stripes of pure paint color to canvas, mixed with paint rags, dabbed till thick paint areas are leveled out. Started out with thick brush in corner to mix, abandoned this quickly.

Sensing jazz standards here – floating fields of opulent pure romantic color

Vincent Johnson received his MFA in Fine Art Painting from Art Center College of Design in Pasadena, California 1997 and his BFA in Painting from the School of the Art Institute of Chicago. He is a 2005 Creative Capital Grantee, and was selected for the Baum: An Emerging American Photographer’s Award in 2004 and for the New Museum of Contemporary Arts Aldrich Art Award in 2007 and for the Art Matters grant in 2008, and in 2009 for the Foundation for Contemporary Art Fellowship, Los Angeles. In 2010 he was named a United States Artists project artist. His work has been reviewed in ArtForum, The New York Times and the Los Angeles Times, Art in America, Art Slant and many other publications. His photographic works were most recently shown in the inaugural Pulse Fair Los Angeles. His most recent paintings were shown at the Beacon Arts Center in Los Angeles. His 2010 photo project – California Toilet, Filthy Light Switch, is in exhibition at Another Year in LA gallery in West Hollywood through early March 2013. His work has appeared in several venues, including The Studio Museum in Harlem (Freestyle (2001, The Philosophy of Time Travel, 2007, and The Bearden Project, 2011-2012), PS1 Museum, Queens, NY, SK Stiftung, Cologne, Germany, Santa Monica Museum of Art, LAXART, Las Cienegas Projects, Boston University Art Museum, Kellogg Museum, Cal Poly Pomona.
Below are some of the other paintings I have completed since returning to painting in the summer of 2011.
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Vincent Johnson is an artist and writer in Los Angeles

New Abstract Paintings: The Cosmos suite (2012)

Golden Dream (2012), part of the Cosmos Suite of paintings

California Toilet, Filthy Light Switch (2010) by Vincent Johnson. Archival Epson print (Private Collection, Miami, Florida). I provided this image as I realized its clear similarity to Golden Dream, which I completed a week ago in my studio in Los Angeles.

Two at Night (2012) from the Cosmos suite of paintings, Oil on canvas, 30×40 inches

Cosmos. Oil on canvas  2012 by Vincent Johnson

Cosmos Red Yellow Green. Oil on canvas 2012 by Vincent Johnson

Green God. Oil on canvas 2012 by Vincent Johnson

This new painting series is part of my ongoing exploration of painting materials and techniques from the history of painting. The works combine knowledge of painting practices of both abstract and representation paintings. The works concern themselves purely with the visual power that paintings can do through the manipulation of paint. Some of the underpaintings are allowed to dry for months; some of those are built dark to light, others light to dark. None are made in a single setting. Most are worked and reworked using studio materials. Each new series takes a different approach to the painted surface from how the paint is applied, to varying the painting mediums. This suite concerns itself with the layering of paint by building up the surface and altering and reworking the wet paint with studio tools.

Two larger paintings will be completed and photographed on Sunday, July 15, 2012 and posted here.

Vincent Johnson, Grayscale painting: The Storm (2012). Oil on canvas, 30×40 inches, created in studio in Los Angeles, California

Vincent Johnson, Grayscale painting, Snow White/White Snow (2012). Oil on canvas, 30×40 inches, created in studio in Los Angeles

Vincent Johnson is an artist and writer in Los Angeles

Vincent Johnson, Nine Grayscale Paintings, Beacon Arts Center, Los Angeles, (2001). Oil on canvas. Each panel is 20×24 inches.
photograph of silver paint on my hands in studio, Los Angeles, during the creation of Nine Grayscale paintings.
Vincent Johnson – in Los Angeles studio working on Nine Grayscale Paintings, 2011

Vincent Johnson

Los Angeles, California

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